Rabu, 31 Oktober 2012

Sorenson Media Wins 3 Coveted "Readers' Choice" Awards


Literally Just announced at the Streaming Media West conference -- Sorenson Media just won a record 3 coveted "Readers' Choice Awards" (tying our "take" from last year):

(1) Best Encoding Software (Enterprise Class) -- Squeeze Server
(2) Best Cloud Encoding/Transcoding Service -- Squeeze Cloud
(3) Best Encoding Software (Desktop) -- Sorenson Squeeze

The win in the first category above -- "Best Encoding Software (Enterprise Class)" -- is particularly gratifying because we announced our new major Squeeze Server 2.0 release just yesterday and this new version blows away our v1.0 in all respects.  We consider it to be an entirely different product.

Thank you video professionals and enterprise video specialists -- we won these awards due to your confidence in our products.  It is very gratifying to all of us here at Sorenson Media.

And -- to this great innovative team here at Sorenson Media -- congratulations!

(Accepting the awards in the picture are VP Business Development & Strategy, Kirk Punches, and Sales Executive, Jen Swartz.)

"Mommy, Is Facebook Like Instagram for Parents?"

From the "Kids Say the Darndest Things" Department -- my nearly 10 year old son, Luca, said the funniest thing the other night.  As my wife, Luisa, was checking her Facebook account, Luca asked the question in the post title above -- i.e., "Mommy, is Facebook like Instagram for parents?"

And, think of it -- it's kind of true (or, at least it is getting truer and truer).  Luca knows about Instagram not because he uses it (he doesn't -- we don't let him), but rather because his 13 year-old sister, Hunter, does.  He knows that essentially all the kids are doing it (using Instagram, that is).  We let Hunter use Instagram (although we monitor it), but we don't let her use Facebook (she has no interest in Facebook anyway).  (Separate question -- is allowing her to use Instagram but not Facebook logically inconsistent?  In any way, kids definitely know that Instagram is a Facebook "loop-hole" for them with their parents and that has been at least part of the reason for Instagram's success).

In any event, Luca's hilarious question points to a larger point -- Facebook certainly is getting stale in the minds of the young ones and may be more the province of we older folks (parents) on a going forward basis.  For the young ones, Instagram -- and other social networks that have not yet seen the light of day -- is where the new generation is going.

Facebook undoubtedly saw this writing on the wall -- and, rather than become marginalized over time by Instagram, it gobbled it up.

Selasa, 30 Oktober 2012

NEW Squeeze Server 2.0 From Sorenson Media -- Wholly Redesigned -- An Entirely New Product

Big news today at my company, Sorenson Media.  We are officially unveiling our wholly re-conceived enterprise transcoding product, Squeeze Server 2.0 (click here for our official press release -- and click here for Streaming Media's coverage of our Squeeze Server announcement).

Technically, this is v2.0 of Squeeze Server -- but, this is much more than a major point release.  This is a completely rethought, redesigned, and redeveloped product that has been virtually the sole focus of our development team for this entire past year.   And, we didn't redesign in a vacuum.  We redesigned with the active participation of, and feedback from, tens of existing and beta enterprise users.  In other words, lots of blood, sweat and tears.  We learned much along the way -- and it certainly wasn't easy.  This took the great ingenuity of essentially the entire Sorenson Media team, with overall development being led by Mitch Holyoak who leads our Salt Lake City office and who has been with our company for 15 years.  Mitch is one of the foremost experts in video encoding/transcoding in the world.  No problem can't be tackled by him and his team.  And, this new version of Squeeze Server oozes with innovation.

We believe Squeeze Server 2.0 has the potential to disrupt the enterprise transcoding market by bringing user benefits unique Sorenson Media and for which we are legend.  This includes unprecedented speed, quality, workflow, support and value.  Here's a bit more detail:

SPEED -- we have made ground-breaking enhancements to our core encoding algorithm to maximize all available server CPUs fore each encode;

QUALITY -- the broadest variety of input and output options for multi-screen video preparation with optimized encoding presets, including optimizations for all four leading adaptive bitrate streaming protocols (including MPEG-DASH, HLS, Smooth Streaming, and Flash Dynamic);

WORKFLOW -- a completely redesigned user interface that enables easy management, updating and status indicators for all encoding, including remote control of the servers from a browsers or iOS device; we also offer easy-to-use installation configurations, so the application is ready for encoding within moments (literally), with zero configuration queues and intelligent presets;  additionally, and unique to Sorenson Media, Squeeze Server is optimized for hybrid cloud/on-premise environments, and runs equally well in any public or private cloud; also, Squeeze Server ties in directly with our award-winning Squeeze Desktop encoding application so that users of Desktop can directly offload encoding jobs to Squeeze Server and thereby free up their work stations (and also get the benefit in Server of all the customized presets they made in Desktop);

SUPPORT -- dedicated gold-tier maintenance with highly trained video experts (via phone, email, or live chat -- the users decide), as well as ongoing updates and upgrades as they become available.

VALUE -- Squeeze Server is offered via two different licensing models -- the first is a one-time cost of $5,000 and 18% maintenance (with no hidden costs or additional data base costs charged by others), and the second is a variable monthly subscription fee which is ideal for virtualized/Cloud usage.  Others in our enterprise transcoding market charge SIGNIFICANTLY more for significantly LESS.

Bottom line -- we are proud -- very proud -- of this one.  We believe we got this one right.  Very right.  And that isn't just based on our own internal thinking.  It is based on actual beta users who we are now converting to actual customers.

They trust the Sorenson Media brand -- and what it represents.

We are showcasing new Squeeze Server 2.0 at the Streaming Media West conference which kicks off today in LA.  Stop by our booth -- which we are sharing with our new partner RealNetworks to offer the broadest variety of transcoding and streaming solutions to cover the needs of virtually any workflow.

Senin, 29 Oktober 2012

Instagram for Video -- Why It's So Hard

Instagram -- THE picture sharing, picture enhancement social network -- was recently acquired by Facebook, of course, for a price between $600Million and $1Billion (depending on where Facebook's share price is at any given moment in time).  So, with video permeating the web and our lives now on every device, an "Instagram for Video" is the next best thing.  Right?

Not so fast.  Video is a very different beast entirely -- contextually, technically, and experiencially.

I recently wrote about these fundamental differences in TechCrunch in a post titled "Instagram for Video -- Massive Opportunity, Yes!  Done Right, No!"  In it, I discuss the significant hurdles facing those VC-backed companies trying to crack the nut (both private and publicly-held companies).  I also offer a recipe to succeed.

Following my TechCrunch piece, two others offered their own "takes" in TechCrunch about this topic (both of whom cited my original piece).  Just yesterday, filmmaker Armando Kirmin posted a piece in TechCrunch titled "The Sad State of Video Apps" in which he focuses on the filmmaking process and how it is radically different than still photo capture (apart from the technical issues I cited in my piece).  And, previously, Sandeep Casi focused on the fundamental differences between video and still images from purely a content perspective (and how translatable personal video content is to others) in a TechCrunch piece titled "Cloning Instagram for Video Will Not Revolutionize Mobile Video."

Together, these three pieces tie together the supreme challenges facing the "Instagram for Video" quest by tens of start-ups, as well as the massive market opportunity if they were able to succeed.  My ultimate conclusion is that it will be one of the tech industry behemoths that ultimately will be the one that comes closest.

And, that won't be Instagram owner Facebook.  For the reasons discussed in my piece, it most likely will be one of the consumer electronic behemoths.

Rabu, 24 Oktober 2012

Sorenson Media -- Finalist for 4 "Readers' Choice" Awards

Just announced -- Streaming Media's finalists for its coveted "Readers' Choice" awards.  Once again, Sorenson Media is a finalist in multiple categories -- this time 4:

(1) Best Cloud Encoding/Transcoding Service -- Squeeze Cloud
(2) Best Encoding Software (Desktop) -- Sorenson Squeeze
(3) Best Encoding Software (Enterprise Class) -- Squeeze Server
(4) Best Online Video Platform -- Sorenson 360

Winners will be announced next week at the Streaming Media West conference.  Last year we took home 3 awards (more than any other company, including giants like Adobe).

How many this year?

Senin, 22 Oktober 2012

Content Is Still King -- Always Will Be -- Money Will Come

[NOTE -- this is a post I wrote earlier this year, but believe it is a worthy topic for those of you who missed it the first time; it is slightly updated here].

Janke Roettgers of Gigaom recently wrote a piece titled "Netflix, Hulu & the Golden Age of Content", in which his major premise is that we have reached a new high point for video content because virtually all major online distributors are now developing original programming (a la HBO). That includes Netflix, Hulu, YouTube, and even Amazon! His major point -- it's not just about the major studios and indie film-makers anymore.

And, yes, that is a big deal. But, why are all of these major online players now getting into their own major video content creation game?

Quite simple. Economics. Pure and simple. Economics.

You see, we are, in fact, entering a new golden age for video content creators. But, for very different reasons than Roettgers' main premise.

Here is the real deal. He (or she) who creates the video content, ultimately gets the gold. In other words, video content creators are now discovering -- or re-discovering -- that it is their content that ultimately drives the entire online video engine and machine. You see, there are scores of video distributors, all of whom essentially do the same thing. They aggregate videos and try to amass the largest library for distribution (which is precisely what has happened in the online music biz for the past 10+ years now).  Their mission is to bring you, the consumer, the widest selection of online video content.  But, ultimately, these online distributor (Netflix, Amazon, Hulu) will essentially aggregate the same content that the others can also bring you.  There will be no real differentiation there.  They will try to differentiate themselves from the others by offering the best user experience, recommendation engines, etc.

But, on the flip-side, the video content itself that they bring you is absolutely unique. No two programs are identical. And, if any online distributor wants to deliver that unique work of content to you, they must pay the content creator. And, those content payments (licenses) for online distribution are now finally becoming big, very big. All of these major online players -- Netflix, Amazon, Hulu -- are starting to pay big big bucks to deepen their pools of content. And, we are still only in the early innings of the online video revolution.

These licenses will substantially increase over time, as all major online video distributors will fight to offer the deepest pool of online video content to their users (and have the bragging rights that they do so). As noted above, we have already seen that happen in the online music business. All online music distributors -- iTunes, Rhapsody, Spotify, Rdio, Napster -- always boast, first and foremost, that they have gazillions of tracks to offer. The largest number I recently saw was nearly 20 million available tracks.  Providing a rich pool of content (in this case, music) is simply a price of admission to be a real player in the online music game, because consumers don't want to find "holes" in a service provider's catalog.  If they do, they bolt to a competitor.  

Same thing is happening in the premium online video game. Real bucks are being paid. And, yes, these major players are now trying to pull an HBO and augment (and differentiate) their libraries from the others with their own self-produced programming. But, the real bread and butter will come from shows they don't produce -- at least for several years.

And, that's great for all of the kings of content who retain the crown ....

For a deeper analysis on this subject, check out my guest post in TechCrunch titled "Apple Schooled Music Execs Then, Here Are the Lessons Online Video Should Learn Now."

Kamis, 18 Oktober 2012

Musicians -- You CAN Make Money In the Online World -- Create Connections, Access, Experiences AND EXPERIMENT!

Musicians -- how can you make money (monetize) in this brave new online world which has completely disrupted (more like shattered) long-time business models?

Well, for the vast majority of musicians -- all except the biggest names -- it's not about selling the music itself anymore (but then again, it never really was).  Instead, it's about getting out to your fans (touring) and connecting more directly with your audience, something that this brave new online world enables in a way that was never before possible.  And, this direct-to-audience path is available to all musicians -- established or not.  The Internet has democratized the overall opportunities available to musicians.  It also gives musicians the opportunity to connect with their audience essentially anytime, anywhere 24/7.  That means the opportunity is there for significantly more "consumption" -- including critical discovery -- of your music.

We all know what is happening now as a result in this brave new reality.  Most musicians practically give away their music in order to establish this connection, this bond with their fans.  Loyalty results.  And, sprinkle in direct access for your fans to your daily life, your thoughts, your dreams, your shows -- your WORLD -- and you really begin to build something.  Things you can monetize.  Music fans will pay for that kind of access -- that's why artist fan clubs are so successful.  They also will pay extra (frequently significantly more) for an "experience" -- not just a show.  A true "experience" means all of the above -- including special access and merchandise (Taylor Swift anyone?  My girl, Hunter's favorite by the way ...).

Here's just one example of new kinds of opportunities -- experiments, really -- in this brave new digital music world.  We all know that "all you can eat" online music subscription services (Rhapsody, Spotify, Rdio) provide great value to customers like me (I have been a proponent and heavy user of subscription streaming services for nearly 10 years).  But, we also know that the artists themselves make virtually no money directly from these streaming services.  According to a recent article in Daily Variety, artist payments amount to one thousandth of a cent per streamed track (of course, that is not the whole story, since such streaming leads to overall artist awareness which, in turn, should translate into downstream dollars via the access and experiences I discuss above).

In this context, enter online music service Rdio -- the one founded by the Skype guys (who, interestingly, began their illustrious careers founding Kazaa, one of the most notorious peer-to-peer services that the music industry originally held accountable for massive piracy that upended their long-time business models and overall businesses).  Now, in an ironic twist of fate, the Kazaa guys want to give musicians a hand in making more money.  How?  By earning $10 for every new paid subscriber they bring into the Rdio fold via social media.  In other words, "Artists cash in when subs sign up" (which is the precise title of a relevant article about this new Rdio initiative that I read in Daily Variety).  Magnanimous?  Well, not exactly -- the original Kazaa'ers reap the primary benefits of recurring subscription revenues that can mount up significantly over time (particularly as users like me simply forget that we are auto-paying them).  Nonetheless, Rdio is at least giving artists a new opportunity via this new experimental program called "Rdio Artist Program."

Musicians, listen up!  Put yourself out there!  Use all available means to establish initial "connections" with your audience.  Grant them access.  Create unique "experiences."  And, EXPERIMENT IN THIS BRAVE NEW WORLD!  Throw caution to the wind and try out this new Rdio Artist Program.  Why not?  Go forth bravely!  There is no one right model -- and this experiment may be one small step along the way that leads you to the promised land of actually being able to afford your music career.

Drive "the path" forward.  And get heard ....

Selasa, 16 Oktober 2012

Sorenson Media Gets Real(Networks)! Major New Strategic Partnership

Big breaking news today for my company, Sorenson Media.  Sorenson Media and RealNetworks today announce a significant wide-ranging strategic partnership that has been in the works for quite some time (click here for the official press release announcing this Sorenson Media/RealNetworks strategic partnership).  This is not a partnership in name only.  Our two companies -- two trusted brands, each renowned for innovation and placing our customers first -- are committed to lead the way in the enterprise video live and VOD transcoding, management and online delivery market.  And, we are jointly committed to putting real resources where our mouths are.

As just one example, we will be jointly exhibiting our combined solutions later this month at the Streaming Media West conference in LA on October 30-31.  We also are together this week at Streaming Media Europe in London (at which Sorenson Media is a finalist in two separate categories for the coveted "Readers' Choice" awards).  Kirk Punches, our VP Biz Dev & Strategy, is representing us in London and is with Real -- Kirk was instrumental in making this all happen on our end.  I worked closely with Kirk on formulating this partnership -- while Scott Uomoto (who oversees the entire Helix & Consumer business at Real) and Mike Womack made it happen on Real's end.  In the words of Scott -- a great guy, apart from being smart and talented by the way:

"The RealNetworks partnership with Sorenson Media provides enterprise organizations -- from business to education to government -- with streaming media's best software and SaaS solutions.  The combination of Real's media delivery platform and Sorenson Media's encoding engine and online video platform helps customers meet their evolving and complex video needs."

Here are my thoughts.

Via this unique strategic partnership, each company -- immediately -- will provide the most comprehensive, best-in-class and battle-tested suite of desktop (live and VOD), server (live and VOD) and video transcoding, management and distribution (both on premise and in the cloud).  Sorenson's products (Squeeze Desktop/8.5, Squeeze Server, Squeeze Cloud, Sorenson 360) cover the VOD piece.  Real's products (Helix Producer, Helix Media Server, Real Player), on the other hand, cover the LIVE piece.  Together, Squeeze & Helix are recognized for delivering the highest quality, comprehensive format support, and critical ease-of-use and reliability -- backed by global support teams for the benefit of our respective customers.  We also are committed to deeper product integration via joint development.

Why Sorenson Media/RealNetworks now?

It's simple.  With the proliferation of video in this increasingly multi-screen world (and with all the related complexity in terms of format support, etc.), each company is experiencing significant customer demand for both enterprise live and VOD trancoding, management and distribution solutions. Prior to this partnership, neither company could fulfill that full demand for across-the-board live and VOD solutions. Now we can.  Immediately.  Single-sourced.  From two trusted names.

From Sorenson's perspective, why did we choose to work with RealNetworks as opposed to others?

Again, it's simple.

(1) Real's "Helix" line of enterprise "live" transcoding/streaming solutions are renown for optimizing video quality and providing broad format support -- themes that resonate with our own award-winning products;

(2) Real's products are used by some of the largest global companies and have proven themselves to operate at scale for years (something that other competing solutions cannot claim);

(3) Real uniquely has an established global enterprise sales force which will now actively market and sell Sorenson Media's products and solutions; Sorenson Media, on the other hand, has a base of hundreds of thousands of enterprise customers and video professionals; in other words, it's a perfect fit -- we historically have been significantly e-commerce driven, whereas Real's Helix sales primarily have been driven by their global enterprise sales force and channel partners;

(4) And, importantly -- and critical to our customers -- Real's live products are backed by world-class support and engineering teams.  In other words, Real shares Sorenson Media's fundamental commitment to its customers -- we always listen, and we act on their behalf.  After all, that's what it's ultimately about -- i.e., pleasing our customers by out-innovating and out-supporting.

Sorenson Media is absolutely committed to being the innovators in the VOD world.  RealNetworks shares that commitment to innovate in the LIVE world.  Cloud innovation is one critical great example. Both companies are squarely focused on the cloud -- and have differentiated cloud experience and expertise.

Now, we here at Sorenson Media absolutely have enterprise customers fully covered -- whatever their online video preparation, transformation, management, and delivery needs may be.  We now have the full slate of VOD and LIVE products.  We now have the global enterprise sales force and support organization that complements our own teams and deep customer base.  Click on this link for more on why this RealNetworks/Sorenson Media partnership is a perfect "fit" from Kirk Punches's interview with Streaming Media.

Exciting stuff.  Stay tuned for more ....

Kamis, 11 Oktober 2012

Sorenson Media Named A Top 100 That "Matters Most" in Online Video

Streaming Media Magazine just named Sorenson Media, once again, as 1 of 100 companies that "matter most" in online video.

We'll take that honor!  And, we'll add it to the record 5 nominations we have for the coveted "Readers' Choice Awards" in the U.S., and 2 finalist kudos we have for the "Readers' Choice" European brother (winners of which will be announced this coming Tuesday in London).  Kirk Punches, our VP Business Dev & Strategy will be in London hopefully picking up an award on Tuesday -- as well as discussing a significant new development.  Very significant.

Stay tuned.

METRIC Mesmerizes at the Greek



I recently wrote about Metric -- one of my favorite bands -- and perhaps the best undiscovered, "discovered" band.  Great under-appreciated synth-rock with hints of Blondie.  I have been playing the band's latest album, "Synthetica," on constant rotation for the past few months -- and have since branched out to the band's first albums over 10 years ago.  All strong.  My 12-year old daughter, Hunter, could not help catching the Metric "bug" which has overtaken our home audio system.  She too now is smitten.

Tuesday night, I yanked Hunter out of school early for a special cultural event -- a trip from San Diego to LA to see the band at the Greek Theater, one of the most storied music venues in the Western U.S.  After averting several near-disasters in my first StubHub experience, Hunter and I happily found ourselves in the first row center of The Greek, a venue I have not seen for over 10 years (which, by the way, is spectacular -- I had forgotten how spectacular.  It is an amazing venue for music.  If you haven't experienced it, do it if you get the chance).

First up -- new Canadian band "Half Moon Run."  Impressive.  Liked them.  Liked them a lot.  Want the band's new album, but can't find it yet on Rhapsody.

Main event -- Metric.  And, we were blown away.  Lead singer Emily Haines is mesmerizing, the real deal, a real artist, a real punk artist.  Great songs (deep powerful catalog).  Great sound.  Great voice.  Great energy.  The band was tight.  She was beyond engaging.  She had the audience in the palm of her hands.  

Before making the frequently horrific drive from San Diego to LA, I had really questioned whether a concert is worth that kind of trouble.  The expected (and realized) frustration of SoCal traffic; the ticket snafus via SnubHub (who redeemed themselves with great customer service and better-than-purchased tix in the front row).  

Emily Haines and the band, however, smashed those questions.  Smashed them to a pulp.  The band proved why nothing compares to the energy of live performances IF done right.  This was about as "right" as it could be, as the concert transformed into a true communal experience.  I almost cringe at writing this next sentence, because it sounds trite -- but, in all serious-ness, a bond truly was forged between the performers and the audience on that beautiful Tuesday night.  And, that was due to the power of Emily Haines. 

This video proves it.  This is how Emily and the band ended the concert.  Watch it.  The experience meant a lot to my daughter and me.  And, as you can see from this video, the experience also meant a lot to the band. 

Magical ....

Rabu, 10 Oktober 2012

Humanize Epilepsy -- Not Epi-Leprosy

Some of you know that I have been a board member of the Epilepsy Foundation of San Diego for years now.  Virtually all of us have been impacted by serious health issues (either directly, or close family/friends) -- and epilepsy is the affliction that has most directly impacted my family.  

My wonderful sister-in-law, Nikki, has suffered from debilitating seizures for over 12 years now after a serious bout of viral encephalitis, and she cannot live on her own as a result.  Her life will never be the same.  We also have a vastly different form of epilepsy known as "absence seizures" in the family -- these episodes are characterized by brief moments of blank staring (rather than the stero-typical physical shaking for which epilepsy is widely known).  Fortunately, this family member is leading a completely normal life with a regimen of meds and may simply "outgrow" these "episodes," but we don't yet know this for sure in our case.  In any event, we remain positive and hopeful.

Of course, each of us has his or her own "cause" that matters -- but epilepsy seems particularly misunderstood and hidden, despite the fact that nearly 3 MILLION Americans suffer from some form of epilepsy.  3 MILLION!  That is more than twice the number of those suffering with cerebral palsy, muscular dystrophy, multiple sclerosis and Parkinson’s disease combined.

As indicated above, the vast majority of Americans believe epilepsy is a "catch all" for violent shaking.  That simply isn't the case -- that is not what "absence seizures" are at all, as just one example.  And, the vast majority of Americans are terrified by the "violent shaking form" of epilepsy because they simply don't know what to do when they witness it.  That is understandable.  That form of epilepsy is particularly cruel in that it can strike any time and without any notice -- like an earthquake -- and similarly with violent results.  It demeans the body of the person who is afflicted.  It attacks that person's soul.  And, that damage is exacerbated by the frequently horrified stares -- and unwillingness to help -- of those who witness the seizure.  I have seen this time and time again with my sister-in-law.  

Yet, at the same time, these reactions are understandable.  I/we cannot blame these uneducated witnesses, because they simply know nothing about this affliction.  It is swept under a rug.  People pretend it isn't there.  And, when it visibly is, a Scarlett Letter attaches to the victim.  That is the leprosy effect.  That is why I frequently say that epilepsy is an affliction that is frequently seen as epi-leprosy.

Case in point.  I recently learned first-hand that a preacher of some sort was called into a household in my community to essentially perform an exorcism to "cast out" the evil spirits that were the cause of the epilepsy in this person.

As we live here in 2012, it is incredible to me that these massive misconceptions still exist about this affliction that impacts so many.

Education, of course, is the key -- as is shining a light on epilepsy -- to sweep it back from under the rug and into the broad daylight.  To talk about it.  To learn about it.

THAT is the mission of the Epilepsy Foundation of San Diego.

Please help me spread the word -- and, if you want to learn more, reach out to me directly via Twitter, LinkedIn, Facebook, etc.

Senin, 08 Oktober 2012

VIDEO -- Sorenson Media's Mud Run -- Del Mar, CA

Saturday, I posted some pics from the Del Mar Mud Run that some of us from Sorenson Media did together.  Now, here's the video to prove it.  Enjoy ... we certainly did (especially the head first mud slide down into a pool of mud) ...

DelMarMudRun2012

Sabtu, 06 Oktober 2012

Sorenson Media Tough Mudders!

Last week Sorenson Media Salt Lake did mud.

This week, it was Sorenson Media West's turn -- the Del Mar Mud Run!  5K of mud, mud, and more mud.  Much muddier than the Camp Pendleton mud run earlier this year.

We did this earlier today -- Kirk Punches, Brian Carlson, Jen Swartz -- and soon to be Marissa Carlson!  Phil Smerud also joined us ... on the course ... and virtually with us.  Another outstanding event with an outstanding team!

Jumat, 05 Oktober 2012

NEW Seinfeld & Kramer Video -- Just Plain Sad ...

Anyone who knows me knows that I am a huge "Seinfeld" fan.  I can't go more than a few sentences before I drop a Seinfeld-ism or make some real-life parallel to a Seinfeld episode -- not that there's anything wrong with that!

So, imagine my joy when I learned there was a new comedy video of Seinfeld & Kramer (Jerry and Michael Richards), together again, on Seinfeld's new webbie short series titled "Comedians in Cars Getting Coffee."  Here is this new Seinfeld episode, titled It’s Bubbly Time, Jerry - Michael Richards - Comedians In Cars Getting Coffee.  PLEASE watch it -- it offers several life lessons -- and it is poignant ... very.  Even more than poignant, it is downright sad ... very sad.

First, Jerry's new series smacks of a guy who is simply biding time -- filling his time, actually -- since he has nothing better to do.  Since he has nowhere to go.  He really does simply get into a car with a fellow comedian, drive around aimlessly, and find a coffee shop.  It feels like HE feels that his best days of productivity are over (his professional glory days, if you will).

Second, Kramer (aka comedian Michael Richards) clearly has never recovered from his infamous racial slur incident back in 2006.  He remains haunted by demons.  In fact, he discusses them with Jerry.  He has no inner peace.  Feels like those demons will haunt him forever.  Must be terrible to live that way.

Perhaps even worse, Richards confesses that even in his best days -- i.e., the "Seinfeld" days -- he was not really living in the moment.  He didn't fully enjoy them.  (By the way, Jerry agrees with him for himself on that point and rationalizes it by saying that those Seinfeld days were for "them" -- meaning we, the audience, and not for "us" (Jerry and Richards) -- weird).  Richards wants to go back in time and re-live them.  An impossibility, of course.

One more thing -- Richards' "spontaneous" bits in the video smack of desperation and, again, are just plain weird.  Popping in to Sugar Ray Leonards's house unannounced (it apparently was actually comedian Jay Mohr's) -- Really?  Wearing a disguise when he goes out in public -- Huh, what?  Will people still swarm around you that much?  Or is it the other way around -- you miss the swarming crowds and are trying to bring even more attention to yourself?

This webisode oozes with disappointment.  With un-fulfillment.  Of missed opportunities, strangely enough.  Of not living in the moment.  Of living in the past.  Sad, very sad.

I think I need to watch a "Seinfeld" episode -- "Kenny Rogers Roasters," anyone?

Kamis, 04 Oktober 2012

My First HuffPo(st) -- "Indie Filmmakers & the Digital Dilemma"

Yesterday represented a blogging milestone -- my first guest post in The Huffington Post, the single most widely-read blog in the U.S. with over 36 million uniques.

The title of my post is "Indie Filmmakers and the Digital Dilemma" -- click on this link to read it.  I believe you will be surprised ... very surprised ... at the extreme vulnerability of digital data (which is much more vulnerable than good old celluloid).  This, of course, means that an entire generation of indie films have the potential to be lost forever (in fact, that disappearing act is happening now).  Before I wrote the piece and was asked to join an organization committed to film preservation (the Utah Film & Media Arts Coalition or UFMAC), I didn't know that.  You likely don't know that.  And, that is precisely why it is worthy of a read.

I am proud to be a member of the Archive Committee for UFMAC, which has been organized to offer a safe-haven & solution to digital filmmakers.  Salt Lake City, of course, is the logical home of this kind of indie film archive, given that it is the home of the world-famous Sundance Film Festival.  It is also the birthplace of my company, Sorenson Media.  I have a special affinity to indie films.  Not only do I generally watch indie films, I previously worked at well-known indie film companies in LA -- first at New Line Cinema (which ultimately was acquired by Turner and was indie no more), and subsequently at Savoy Pictures (which ultimately was acquired -- and then shuttered -- by Barry Diller).

Please help me spread the word about this digital dilemma facing indie filmmakers -- and UFMAC's efforts to solve it.

One more note -- Geralyn Dreyfous, who is featured in the piece and is a key driver of the overall "cause" -- is just plain wonderful.  Talented (she is an Academy Award winner, among other things).  Connected.  Generous.  Energetic.  Engaging.  Delightful.  If you ever get a chance to meet her, jump on it!

Selasa, 02 Oktober 2012

Sorenson Media -- Finalist for 2 European Streaming Media "Readers Choice" Awards

Leading online video pub Streaming Media just announced finalists for its coveted European "Readers' Choice" Awards.  And, I am pleased to report that my company, Sorenson Media, is a finalist in 2 categories -- "Best Cloud Video Service" (for Squeeze Cloud) and "Best Transcoding Solution" (for Squeeze and Squeeze Server, enterprise edition).  Last year we proudly took home the "Best Transcoding Solution" prize in Europe -- and we also swept the US "Readers' Choice Awards" with 3 big wins (including "Best Online Video Technology Company").  Winners for the European awards will be announced on October 16.

These awards matter.  A lot.  Why?  Because users of online video products/services/technology decide who is the best -- not the pundits themselves.

Senin, 01 Oktober 2012

MUSE -- The 2nd Law Has Dropped -- It's Madness ...

Google Maps Saves My Marriage (After Apple Maps Tries Its Best to Destroy It!)


No, I am not piling on here.  This is not a “replacement ref” post.  In fact, I hate following conventional narratives. 

But, the cold hard fact is that the headline is true.  And, I experienced this reality in all of its glory – and in all of its pain (depending on who’s camp you’re in) – this past Friday night.  Let me explain.

I work hard.  I love what I do.  I feel fortunate doing it.  But, my family comes first.  Always has.  Always will.  So, certain family events – like birthdays, anniversaries – are sacred to me.  I never miss them. 

Only, this year I did.  I missed my wife’s birthday a few weeks back due to a business trip.  I also missed our anniversary which falls within the same week).  I tried to move mountains, but couldn’t.

Now, to be clear – my wife, Luisa, never …  EVER … gives anyone (including me) a hard time for this kind of thing.  Stuff happens.  She “gets” that more than anyone I know.   She understands how life works sometimes … and that it is what it is.

But I don’t.  It kills me.

This gets me back to the here and now.  As I said, I missed my wife’s birthday and our anniversary.  So, I scheduled a “replacement” birthday and anniversary weekend escape for the two of us this weekend in my city of San Diego.  The only problem was that as of Friday night, I was in a major East Coast city … and my business meeting ended only at 5 pm … and my flight back to the West Coast was scheduled for 7:30 pm … and I had a rental car, that I had to drive 50 miles … through this major city to the airport … and IT WAS POURING RAIN during this rush hour!  Yes, Friday night rush hour!

Listen, I am an optimist, but that changed quickly as we hit – or, better said, tried to hit – the on ramp to the Interstate that ultimately would lead us to the promised land of planes.  Gridlock.  No movement.  None.  There was no way.  Mission Impossible.  And, that is coming from a guy (me) who always believes there is a way. 

Not this time. 

Enter my two partners in crime – Sorenson Media’s COO Eric Quanstrom and VP Biz Dev/Strategy Kirk Punches.  Whilst I took the wheel, they donned their strategic caps for battle, grabbed their weapons of hoped-for deliverance (iPad and iPhone, respectively) and took to Apple Maps and Google Maps – frenetically multi-tasking with both weapons to find a better way.  We were ApolIo 13 and we had to come home!  I essentially placed the fate of my marriage in their hands – if we didn’t make it to the airport and on the plane, my “replacement” weekend would be destroyed.  They accepted this challenge – for they too wanted to go home -- and went to work.

Trust me.  This was a thing of beauty.  Stressful beauty.  But, beauty all the same.  Fingers were flying on the touch screens!  Swiping.  Tapping.  Rebooting!  Literally scores of decisions had to be made.  Do we stay on the Interstate crawling at 3-5 MPH (Google Maps told us that the traffic was “red” for at least 5 miles)?  Or, do we instead get off and go use the state highway (where the traffic was “red” for only 3.5 miles)?  In other words, do we follow the road less taken?  Google Maps fed us critical information to at least consider those options (Apple Maps didn’t).  THIS WAS MAJOR DIVORCE POINT #1 FOR APPLE MAPS – NO TRAFFIC OVERLAY!  If we were to follow Apple Maps, we would be blind to the choices around us.  We’d have no critical perspective!  We would never get home!

Based on critical Google Maps info, however, my intrepid and unflappable colleagues directed me to take the bold move to exit to the less-traveled state highway (which was still pretty damn traveled – remember, it was red … and, let’s not forget once again that this was Friday night rush hour in a major East Coast city IN THE RAIN!).  Ahh yes, and that road less traveled ultimately made all the difference.

So, here we are crawling.  Red for miles.  Continuing on this course would fail us.  And, I reminded my crawl-mates of this fact – “Failure is not an option”, I proclaimed (which is always a good thing to do, by the way – in a stressful situation, raise the stress levels even further)!  Fortunately, as I said, my colleagues are unflappable.  So, I witnessed  -- instead of frozen deer -- a beautiful jazz session of road improv.  Take a left here.  Take a slight right there.  Watch out for that car there that is about to smash into my side!  We were bobbing and weaving throughout neighborhoods where no car has gone before!  Truly, this was the final frontier – and our car had become mission control.  We had the best talent to chart the course, but we also needed the best technology.  It was Google v. Apple – who would be our wingman? 

Well, it certainly wasn’t Apple.  THIS WAS MAJOR DIVORCE POINT #2 FOR APPLE MAPS – FALSE INFORMATION!  Kirk was working Google, Eric was working Apple.  Critical decisions needed to be made.  Does this tiny neighborhood street cut through to a key artery to get us back to the now-green Interstate that we needed, or does it not?  According to Apple Maps, the answer was an absolute Nyet.  Dead end.  Google disagreed.  What’s a flustered driver to do?  Trust Google in times of stress!  Thankfully, we did.  And, we broke through – we saw the faint lights of the Interstate ahead of us!  Redemption was ours!

By that point, we had tossed Apple Maps into the dust-bin.  All Google Maps, all the time.  I was fully converted.  OH YES, MAJOR DIVORCE POINT #3 FOR APPLE MAPS – turn by turn directions sound really nice, and look really pretty.  But that kind of detail loses the forest from the trees in times like this.  Sometimes you simply need to rise above the din to see that forest – and gain critical perspective of that overall traffic pattern!  Apple Maps does not allow for this.  Which means that my butt faced the reality that it would still be hopelessly sitting in the driver’s seat of our rental car that was lost in a beautiful street level turn-by-turn virtual reality, while only my virtual butt would be sitting in the seat of the plane that would have taken me back home to my wife in San Diego.

Bottom line – thanks to Google Maps, we made it.  Somehow, we made it, and I was able to write this post from 30,000 feet while this experience was still fresh in my mind.   This is no tall tale, although an adjacent passenger who lives in this East Coast city, throughout the flight, continued to shake his head in amazement that we succeeded in this 1 in 100 shot.  He knows what we were up against.

But, I had my secret weapons.  Eric Quanstrom.  Kirk Punches.  And Google Maps.  That’s why I was on that plane back home tonight.  And that’s why I will be able to rise Saturday morning from my bed in San Diego and go on that “replacement” weekend escape with my wife, Luisa. 

The other guys in other meetings fighting similar odds with Apple Maps never had a chance.  And, they had to spend one more night in that East Coast city, one more weekend away from their families, and one more time missing special events that could have been memorable. 

It was a rainy miserable night for them ….

(PS – remind me to tell you about the beginning of this business trip to the East Coast – about my drive up to LAX from San Diego – about being ticketed for making eye contact with a cop who was driving five lanes over.  No, I am not kidding ….)