Two nights back, I was a panelist and purported pundit at TechZulu's Annual Startup Forecast in the heart of Silicon Beach. Not sure the exact count, but it looked to me that 100-150 entrepreneurs packed the ROC with energized views of the LA-based startup scene. Amplify/Accel’s Richard Wolpert, Google’s founding Adwords exec Heather Wilburn, Bitcoin aficionado and serial entrepreneur Brock Pierce, and Third Wave Ventures’ Babak Razi shared the stage with me, together with moderator and reporter Amanda Coolong who kept things lively. And, “must see” Silicon Beach-based startup companies demo’d, including double bottom-line company Causora, adtech company Kiosked, and movie/premium video demand generation/distribution company Yekra (all companies I have come to know well and personally vouch for). Attendees came early and stayed late -- everything you could hope for in this kind of event. I have been to many such events, and this one stood out. Great work by TechZulu’s head, Efren Toscano.
Here are some scenes from the event later in the night, after the crowd had somewhat dissipated. From top to bottom, Yekra CEO Lee Waterworth (back to camera) laying out the company’s value proposition; TechZulu’s Efren Toscano waving; and me standing with Yekra’s husband and wife founding team Lee and Sonya Waterworth.
Kamis, 30 Januari 2014
Senin, 27 Januari 2014
The Curious Case of “Curious George” (Or, How Small Things Can Make a Big Difference ....)
A few weeks back, I was fortunate to meet long-time senior studio marketing exec Beth Goss -- who, like me, spent the early part of her career with Universal Studios. As we discussed her many successes which ultimately landed her a top exec position at Cartoon Networks, among others, Beth mentioned one success of particular note -- that is, how she came to drive development of the single most successful animated series in PBS’s history -- Curious George (you know, that mischievous monkey).
Beth walked me through the story. And, her headline was that careers -- like life itself -- are filled with little nuggets that can make huge unforeseeable impacts (black swans, if you will). In this case, the relevant “nugget” that she had unearthed was a clause buried deeply in the original Universal Studios agreement pursuant to which the studio acquired rights to the book for the purpose of making a feature length Curious George motion picture (which the studio ultimately did). That clause was unusual -- not customarily found in such motion picture acquisition agreements. Specifically, this unusual clause gave Universal rights to do much more than produce motion pictures -- including rights to produce television programming -- so long as Universal DID, in fact, first produce a Curious George motion picture.
Again, Universal ultimately did produce and release a major Curious George theatrical motion picture, which then enabled Beth -- who, in true entrepreneurial fashion, unearthed that unusual contractual clause -- to harness her marketing mastery to ultimately produce PBS’s most successful animated program in its history (i.e., Curious George). In fact -- and here’s the punch-line -- the Curious George television series (which continues still on PBS) has been far more lucrative to Universal than the Curious George movies themselves. Far more.
And, apart from the great anecdote from Beth and positive impact on her career, you know what’s really cool about this story from a personal standpoint? In a strange twist of fate, I was that enterprising young Universal Studios legal affairs executive who drafted that original Curious George acquisition agreement and was the one who had added that unusual and expansive rights-rendering clause. My stroke of the pen enabled Beth and Universal to produce a show that then became a PBS powerhouse and generated millions upon millions of dollars (likely tens of millions) and has been running for several years.
Now, at the time I drafted that Curious George acquisition agreement, did I know that any of this would happen? Of course not! But, it certainly was our job -- at the studio -- to acquire the most expansive rights possible precisely for these reasons -- i.e., to give the studio freedom to pursue as many projects as possible on the particular source material and, hence, maximize its monetization/ROI.
Before my conversation with Beth, I had forgotten about the Curious George chapter of my career -- I hadn’t even considered that deal for 20+ years.
But, as Beth laid out the fortuity that ultimately gave her what she needed to drive her massively successful television project forward (and, which success ultimately helped land her a top role at Cartoon Network), a smile came across my face.
Perhaps, in its own small little way, my years at Harvard Law had some kind of impact after all!
Little things -- effort -- entrepreneurialism -- and fortuity -- play such critical parts in any success.
Case in point -- the curious case of Curious George!
Beth walked me through the story. And, her headline was that careers -- like life itself -- are filled with little nuggets that can make huge unforeseeable impacts (black swans, if you will). In this case, the relevant “nugget” that she had unearthed was a clause buried deeply in the original Universal Studios agreement pursuant to which the studio acquired rights to the book for the purpose of making a feature length Curious George motion picture (which the studio ultimately did). That clause was unusual -- not customarily found in such motion picture acquisition agreements. Specifically, this unusual clause gave Universal rights to do much more than produce motion pictures -- including rights to produce television programming -- so long as Universal DID, in fact, first produce a Curious George motion picture.
Again, Universal ultimately did produce and release a major Curious George theatrical motion picture, which then enabled Beth -- who, in true entrepreneurial fashion, unearthed that unusual contractual clause -- to harness her marketing mastery to ultimately produce PBS’s most successful animated program in its history (i.e., Curious George). In fact -- and here’s the punch-line -- the Curious George television series (which continues still on PBS) has been far more lucrative to Universal than the Curious George movies themselves. Far more.
And, apart from the great anecdote from Beth and positive impact on her career, you know what’s really cool about this story from a personal standpoint? In a strange twist of fate, I was that enterprising young Universal Studios legal affairs executive who drafted that original Curious George acquisition agreement and was the one who had added that unusual and expansive rights-rendering clause. My stroke of the pen enabled Beth and Universal to produce a show that then became a PBS powerhouse and generated millions upon millions of dollars (likely tens of millions) and has been running for several years.
Now, at the time I drafted that Curious George acquisition agreement, did I know that any of this would happen? Of course not! But, it certainly was our job -- at the studio -- to acquire the most expansive rights possible precisely for these reasons -- i.e., to give the studio freedom to pursue as many projects as possible on the particular source material and, hence, maximize its monetization/ROI.
Before my conversation with Beth, I had forgotten about the Curious George chapter of my career -- I hadn’t even considered that deal for 20+ years.
But, as Beth laid out the fortuity that ultimately gave her what she needed to drive her massively successful television project forward (and, which success ultimately helped land her a top role at Cartoon Network), a smile came across my face.
Perhaps, in its own small little way, my years at Harvard Law had some kind of impact after all!
Little things -- effort -- entrepreneurialism -- and fortuity -- play such critical parts in any success.
Case in point -- the curious case of Curious George!
Minggu, 26 Januari 2014
My Long-Term Care Site -- SUBSTANTIALLY Augmented -- Think It Can Help ...
Several weeks back, I created a very personal website -- Long-Term Care Sherpa -- to help others who are experiencing (or beginning to experience) what my family and I have been going through for the past several months -- i.e., finding the best long-term care solution for a loved one.
Today, I am pleased to say that I have added substantially more resources and overall content to the site.
If you or anyone else you know is in need of help on a similar journey, this Sherpa may be very helpful.
Spread the word. Few, if any, consolidated long-term care-focused sites exist. And, that’s why I created it ....
Today, I am pleased to say that I have added substantially more resources and overall content to the site.
If you or anyone else you know is in need of help on a similar journey, this Sherpa may be very helpful.
Spread the word. Few, if any, consolidated long-term care-focused sites exist. And, that’s why I created it ....
Kamis, 23 Januari 2014
Last Night’s NYC Digital Media Meetup -- So Frigid, It Was Hot!
Last night in NYC, my company, Manatt Digital Media, hosted our 4th NYC Digital Media Meetup -- this time in the Treehouse Bar of the James Hotel in Soho. Absolutely frigid temps -- below 0 wind-chills -- insane (even for this Minnesota boy). Nonetheless, more digital media souls showed than budgeted (significantly more, which pleased us!) -- clearly passionate about our craft -- braved the icy cold to drink-in the warmth of hipster cocktails and mingle with one another. Which is what this is all about. (Soho was even good enough to welcome us with open arms with this Meetup billboard, in a scene that just screams “COLD!”).
Nearly 40 (we had planned for 25) digital media entrepreneurs attended this one -- startup founders/CEOs (companies to watch like Rukkus, Qello, Fanlime, Mixify), VCs/bankers to finance them (GCA Savian, Marcum Cronus Partners, Originate, JMP Securities), media company execs to partner with them (Comcast, Superfly, Google), indie filmmakers to fuel them with content (The Documentary Group, Branded Pictures Entertainment), major talent agents to represent them (UTA), and reporters (CNET, Mashable) to report on all of it.
Another great event.
Our goal with these meetups is to select different players in the overall media and technology eco-system -- all of whom must be passionate and add something unique to the mix. Introduce them to each other. And then, watch the magic happen as they connect ...
That’s what I love doing ... and, oh yes, reporting on it myself ....
Nearly 40 (we had planned for 25) digital media entrepreneurs attended this one -- startup founders/CEOs (companies to watch like Rukkus, Qello, Fanlime, Mixify), VCs/bankers to finance them (GCA Savian, Marcum Cronus Partners, Originate, JMP Securities), media company execs to partner with them (Comcast, Superfly, Google), indie filmmakers to fuel them with content (The Documentary Group, Branded Pictures Entertainment), major talent agents to represent them (UTA), and reporters (CNET, Mashable) to report on all of it.
Another great event.
Our goal with these meetups is to select different players in the overall media and technology eco-system -- all of whom must be passionate and add something unique to the mix. Introduce them to each other. And then, watch the magic happen as they connect ...
That’s what I love doing ... and, oh yes, reporting on it myself ....
Selasa, 21 Januari 2014
Host NYC Digital Media Meetup Wednesday Night -- Panelist at TechZulu Startup Forecast Next Tuesday
Am off to NYC very early this morning -- flying from 75 degrees to negative degrees wind chill! Meetings of course, but also hosting our 4th NYC Manatt Digital Media Meetup Wednesday night in Soho. These have been great events in the past -- very informal affairs of 25-40 entrepreneurs, financiers, media execs, artists/filmmakers, and press, all of whom are passionate about the opportunities in this transformative digital media world.
This one’s a quick one -- leave this morning -- return late Thursday night.
Next week LA -- where I will be a panelist Tuesday night at the TechZulu event -- the 2014 Startup Forecast.
Someone give me some gloves for this week!
This one’s a quick one -- leave this morning -- return late Thursday night.
Next week LA -- where I will be a panelist Tuesday night at the TechZulu event -- the 2014 Startup Forecast.
Someone give me some gloves for this week!
Senin, 13 Januari 2014
And They Said On-Demand Subscription Music Services Would Never Work ... Up 103% Just Last Year!
Here’s the headline -- on-demand audio streaming services were up a whopping 103% with consumers last year, while digital music downloads were down for the first time ever. In other words, we have reached that point where on-demand streaming has overtaken downloads and recharacterized the meaning of music “ownership.” Essentially, the consumer value proposition underlying the “rental” model -- with on-demand access to millions upon millions of tracks -- has finally been realized on a mass scale.
And, to think that only a couple years ago, most pundits believed that this rental/subscription model never would catch on -- i.e., that consumers demanded what they defined as being true content “ownership.”
Way back in the day, I saw this coming and had a front seat to these developments all along the way. I served as President & COO of online music pioneer Musicmatch (acquired by Yahoo! for $160 million) from 2002-2004, and we launched one of the first-ever on-demand music streaming services. From that time forward -- as Musicmatch became Yahoo! Music which became Rhapsody -- I have primarily consumed music via on-demand streaming (rather than via music downloads and, certainly, via CDs). That’s 10+ years of on-demand streaming for me.
And they said it wouldn’t happen ....
And, to think that only a couple years ago, most pundits believed that this rental/subscription model never would catch on -- i.e., that consumers demanded what they defined as being true content “ownership.”
Way back in the day, I saw this coming and had a front seat to these developments all along the way. I served as President & COO of online music pioneer Musicmatch (acquired by Yahoo! for $160 million) from 2002-2004, and we launched one of the first-ever on-demand music streaming services. From that time forward -- as Musicmatch became Yahoo! Music which became Rhapsody -- I have primarily consumed music via on-demand streaming (rather than via music downloads and, certainly, via CDs). That’s 10+ years of on-demand streaming for me.
And they said it wouldn’t happen ....
Rabu, 08 Januari 2014
Coachella Line-up Announced! This Year, They Got It Right! ARCADE FIRE, MUSE!
Coachella just announced this year’s line-up -- and, one word comes to mind -- EPIC!
Line-up is MUCH stronger than last year’s headliners -- and even the “deep cut” bands are more interesting/intriguing.
Here’s my “hit list” of bands on MY list for this year -- after my initial review of the overall line-up -- note, these are in alphabetical order -- and SATURDAY’s list is best; FRIDAY is second; and SUNDAY is third -- but ends with Arcade Fire -- so, I will not be leaving early this year. They will need to pull me out of there in a body bag!:
FRIDAY BANDS
-- AFI
-- Austra
-- Broken Bells
-- Bryan Ferry
-- Ellie Goulding
-- Dum Dum Girls
-- Jagwar Ma
-- MS MR
-- Outkast
-- The Cult
-- The Knife
SATURDAY BANDS
-- Bear Hands
-- Cage the Elephant
-- Fatboy Slim
-- Empire of the Sun
-- Foster the People
-- Foxygen
-- Kid Cudi
-- Lorde
-- MGMT
-- MUSE
-- Pet Shop Boys
-- Skrillex
-- The Head and the Heart
-- The Naked and Famous
-- Warpaint
-- Washed Out
SUNDAY BANDS
-- Arcade Fire
-- Beck
-- Calvin Harris
-- Lana Del Rey
Line-up is MUCH stronger than last year’s headliners -- and even the “deep cut” bands are more interesting/intriguing.
Here’s my “hit list” of bands on MY list for this year -- after my initial review of the overall line-up -- note, these are in alphabetical order -- and SATURDAY’s list is best; FRIDAY is second; and SUNDAY is third -- but ends with Arcade Fire -- so, I will not be leaving early this year. They will need to pull me out of there in a body bag!:
FRIDAY BANDS
-- AFI
-- Austra
-- Broken Bells
-- Bryan Ferry
-- Ellie Goulding
-- Dum Dum Girls
-- Jagwar Ma
-- MS MR
-- Outkast
-- The Cult
-- The Knife
SATURDAY BANDS
-- Bear Hands
-- Cage the Elephant
-- Fatboy Slim
-- Empire of the Sun
-- Foster the People
-- Foxygen
-- Kid Cudi
-- Lorde
-- MGMT
-- MUSE
-- Pet Shop Boys
-- Skrillex
-- The Head and the Heart
-- The Naked and Famous
-- Warpaint
-- Washed Out
SUNDAY BANDS
-- Arcade Fire
-- Beck
-- Calvin Harris
-- Lana Del Rey
Selasa, 07 Januari 2014
What A Difference 10 Years Makes! (Passage of Time -- The Best Resolution?)
Am engulfed in the madness of CES as we speak -- in between events -- going to my next soon. Earlier today, I moderated a “State of the Music Business” panel (with an outstanding heavyweight lineup) and spoke on another titled “The New Hollywood Equation” (which was surprisingly well-attended given that it was the first panel of the day and given all of the weather-driven flight cancellations).
On that first panel, I was joined by Craig Palmer, who is now CEO of a company called Wikia. But, I knew Craig from many many years earlier -- when he was CEO of Gracenote and I was President of online music pioneer Musicmatch. Today, I sat right next to Craig on the panel. Last time I saw Craig was 10 years ago, and that wasn’t exactly the case. 10 years ago, we sat on opposite sides of the table -- in a sea of lawyers -- embroiled in a massive and highly contentious patent dispute that cost each company millions of dollars. It was a nasty battle -- and, from my perspective, a completely needless one. Ultimately, the courts agreed with our position, but Craig and I both agreed today that it was just a waste.
In any event, all’s well that ends well. Musicmatch later sold to Yahoo! for $160 million -- and Gracenote was swallowed up by Sony for $260 million (which just recently sold it to Tribune for $170 million).
And, today, we put the past behind us -- had a chuckle -- and remarked about the power of the passage of time ....
On that first panel, I was joined by Craig Palmer, who is now CEO of a company called Wikia. But, I knew Craig from many many years earlier -- when he was CEO of Gracenote and I was President of online music pioneer Musicmatch. Today, I sat right next to Craig on the panel. Last time I saw Craig was 10 years ago, and that wasn’t exactly the case. 10 years ago, we sat on opposite sides of the table -- in a sea of lawyers -- embroiled in a massive and highly contentious patent dispute that cost each company millions of dollars. It was a nasty battle -- and, from my perspective, a completely needless one. Ultimately, the courts agreed with our position, but Craig and I both agreed today that it was just a waste.
In any event, all’s well that ends well. Musicmatch later sold to Yahoo! for $160 million -- and Gracenote was swallowed up by Sony for $260 million (which just recently sold it to Tribune for $170 million).
And, today, we put the past behind us -- had a chuckle -- and remarked about the power of the passage of time ....
Senin, 06 Januari 2014
5 Questions with WeBRAND’s CEO Kevin Tighe -- My Exclusive Q&A
What better way to start off the New Year then to feature a digital media/share economy startup based right in the heart of Silicon Beach and digital media here in LA? My latest exclusive Q&A in my continuing “5 Questions With” series is with CEO Kevin Tighe of WeBRAND, a Santa Monica-based company built by marketing specialists and brand-builders, for marketing influencers and brand-builders -- all empowered by the collective resources they bring to bear via the Internet/digital media (crowd-sourcing, crowd-funding, crowd-shopping).
Here we go.
(1) What is the reason your company exists (and what problem(s) are you looking to solve)?
A new generation of influencers has emerged which have built their brands and accumulated their audiences through digital means. The types of influencers we’re talking about include blogs/bloggers, YouTube stars, musicians, entertainment and gaming platforms, but also extend to more traditional brands and influencers which have accumulated a large online reach. They succeed in monetizing in many areas, but when it comes to merchandising and eCommerce most are dropping the ball. This is not surprising as eCommerce comes with a unique set of challenges such as product sourcing, design, order fulfillment, marketing, distribution and customer service.
Digital influencers putting the necessary effort into eCommerce are greatly increasing their revenues while building their brands. We’ve seen cases where a site, whose primary revenue driver is supposed to be advertising, is generating tens of millions of dollars in annual revenue through it’s online store.
We saw the need for a specialized platform that allows digital influencers to capitalize on their merchandising and eCommerce opportunities while minimizing their risk.
(2) How are you different from your competitors?
Unlike our competitors, we cater specifically to the needs of influencers. Because of this specialization, we do not need tens of thousands of WeBRAND shops to profit, therefore we are focused on quality and not quantity.
Our main differentiating factor lies within our process. We use crowdsourcing to allow the fans to design the merchandise for the influencer’s online store, and then we use a crowdfunding model which we dub as “crowdshopping” to measure demand and drive sales before sending the product into production.
We have made WeBRAND inherently social by integrating crowdsourcing and crowdshopping. In the traditional eCommerce model, someone designs the merchandise, a fan makes a purchase, and the order is fulfilled. With WeBRAND, everyone (the designers, the influencer and the fans) is working together to design, market and drive sales. The social interaction creates a built-in distribution model which is not seen on traditional eCommerce platforms.
Another way we differ from competitors is through our product offering. Crowdshopping removes many of the traditional product limitations and allows us to offer products that are higher quality, better fit, and catered toward a specific audience of an influencer. In our earlier stages, we are focusing on traditional apparel and accessories, but in later stages, will be able to offer some pretty unique products.
(3) Why will you succeed (and what is your single most important ingredient for
success)?
We’ll succeed because we have a great team that is willing to do it what it takes to make WeBRAND the success that it has the potential to be. We have built a great support structure through our advisors, and have taken the time to know and understand our business inside and out. The most important factor to our success will be executing the very thorough and strategic approach that we have developed. This is the type of business where execution is everything. We have to walk before we can run, and are taking the necessary steps to progress in all the right ways.
(4) What makes you unique (and what do you enjoy most outside of building
your business)?
I’m extremely tenacious and never give-up. I take a very strategic approach to tackling problems, and always find a way to overcome challenges. This quality is a necessity to be successful in the startup world. Outside of building the business, I love to spend time with my girlfriend and our three dogs. I enjoy being active and spending time outdoors. When I find the time, I like to sneak away for a long weekend, and am always up for a glass of wine or cold beer.
(5) What digital media trend is most interesting to you (and what is the least)?
I am a bit biased because I am in this space, but I think influencer marketing is fascinating. I love watching the different approaches companies are taking to utilize various forms of influence to build brands, increase traffic and drive sales. Because of digital media, there are now countless types of influencers which, when used correctly, can be very powerful, but it is a touch code to crack.
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