Tampilkan postingan dengan label DanceOn. Tampilkan semua postingan
Tampilkan postingan dengan label DanceOn. Tampilkan semua postingan

Senin, 13 Juli 2015

MCN Wars - Who's Next In M&A? (Got It Right With CDS)

Last week's acquisition (of a controlling interest) by German media company ProSieben of leading MCN Collective Digital Studio -- one of 5 MCNs I predicted as being "ripe" for acquisition 6 months back -- woke up the MCN M&A game that had been somewhat quiet for the first six months (after a frenetic pace last year).  So, is this deal a "wake up call" for media companies to move on the remaining independent MCNs with scale?

Signs point to "yes."  As I recently wrote in a lengthy analysis of 2015's top digital media deals and trends to date this year, those leading MCNs "are ripe for M&A down the road -- a road that likely just got shorter [last week] because one of their independent brethren (Collective Digital Studio) has just been taken off the table ...."  Other industry insiders agree, including execs from major media companies with whom I have spoken.  And, several followers/influencers within the industry underscore this point even more emphatically.  Sahil Patel of Digiday -- who covers the space very closely -- writes, "If you're a major media company and you're interested in buying a YouTube network, you better hurry up."

And, even more emphatically, research firm Ampere Analysis concludes: "For those players without a stake in the MCN game, sand is rapidly running through the hourglass ... Many media companies are playing a waiting game: the million dollar question now is when to stop waiting and start acting."  Ampere pegs the top 100 MCNs as having a collective value of an eye-popping near-$10 billion (yes, BILLION!) -- and further concludes that 22 MCNs each justify an acquisition price of "at least $100 million" based on previous M&A comps in the space.

I don't know about that (since Ampere's "treat-all-MCNs-the-same" analysis is rather one-dimensional and apparently doesn't consider other relevant valuation factors, including strategic "fit," specific consumer vertical focus, each MCN's focus on and -- amount of -- licensable original programming, and quality of distribution partners, among others).  But, I certainly do believe that MCN M&A will actively continue in the next several months (NOTE: remember, most majors call themselves MPNs now, as in "multi-platform network").  I call this Phase 2 of expected MCN M&A activity -- which ProSieben/Collective Digital Studio (CDS) sparked last week.

HERE ARE MY PREDICTIONS OF WHO COULD BE NEXT (and for those keeping score, in addition to correctly identifying CDS, I had earlier correctly anticipated M&A for Crunchyroll, Fullscreen and StyleHaul):

(1) TASTEMADE -- the leading food and travel MCN (which counts Scripps, Liberty Media, and Comcast as strategic investors, is known and respected for its original programming and brand, and has secured big wins on the distribution side with Apple and Facebook, among others); here is my exclusive interview of CEO Larry Fitzgibbon from last August;

(2) MACHINIMA -- one of the major MCNs that started it all several years back, is gamer/young male-focus, and still has massive scale (and counts Warner Bros. as a strategic investor);

(3) WHISTLE SPORTS -- the leading sports-focused MCN (which counts BSKYB and Liberty Global as strategic investors, has compelling deals with several major sports leagues -- including the NFL -- and features content that "travels well" internationally); here is my exclusive Q&A with CEO John West (note: Whistle is a client of Manatt Digital Media);

(4) MITU NETWORK -- the leading Latino-focused MCN (which counts AMC Networks as a strategic investor);

(5) DANCEON -- the leading dance/music-focused MCN (which features significant original programming that is ripe for upstream licensing to traditional platforms, and which also counts AMC Networks as a strategic investor); here is my exclusive profile about this MCN (note: Manatt Venture Fund is an investor and DanceOn is a client of Manatt Digital Media);

(6) FREDERATOR -- an animation-focused MCN that is somewhat "under the radar" (similar to Collective Digital Studio prior to its acquisition), and which is lead by media industry pioneer Fred Seibert who helped launch MTV and VH-1 and also served as President of animation legend Hanna-Barbera; in other words, his relationships and partnerships with the creative world are legend; and

(7) OMNIA MEDIA -- another digital-first media company that also is very much "under the radar" and is rumored to be in active discussions on the M&A front right now.

And, these are just some of the leading U.S.-based MCNs.  Remember, it's a big world out there -- with several other major MCNs, including German-based Mediakraft.  Many hungry major international media companies exist (cases in point: ProSieben/CDS and RTL Group/StyleHaul).

BONUS PICKS -- JUKIN' MEDIA -- not really an MCN, but also generally in the short-form digital-first space (and with a unique value proposition and multi-faceted business mode -- and also with a strategic media investor -- Bertelsmann Digital Media Investments).  Here is my profile of this very "hot" company about which many are talking.  It wouldn't surprise me if Jukin' were swallowed up first.  I also like WOVEN, which is a bit like a "less angry" Vice -- and is another company that I previously profiled.

What's the common denominator here?  Virtually all of them count major media companies as strategic investors.  And, as we just saw with ProSieben (which previously already held a 20% stake in CDS), strategic investment frequently leads to outright M&A.  Strategics frequently like to "try" before they "buy."  And, in the prescient words of Yoda (a character now owned by Disney and which, in turn, transformed the MCN M&A world and playbook with its near $1 billion purchase of Maker Studios early last year), "buy, they will!"

Let's start counting them down ....

Rabu, 11 Februari 2015

MCN CEO Summit at DEW

Earlier today I moderated an MCN-focused panel at the 2nd Digital Entertainment World conference in LA.  Pretty remarkable "Who's Who" of panelists in the MCN world.  From left to right (counter-clockwise -- yours truly (moderator), Amanda Taylor (CEO DanceOn), Reza Izad (CEO Collective Digital Studio), Marvin Scott Jarrett (CEO Popular), Sanjay Sharma (President of All Def Digital), Scott Maddux (VP Gracenote), Roy Burstin (CEO Mitu), and Allen DeBevoise (Chairman Machinima).  Full house.  Impressive group.  Great insights.  Here's Deadline's recap, including the unanimous consensus that a few years from now Disney's near $1 billion acquisition of Maker Studos will be viewed as a bargain (just like Google's $1.6 billion buy of YouTube several years back). 

As I ended the panel, I predicted that several of these key players will be acquired in 2015.  Check back with me in a few months.  Taking bets now ....  DEW 2015.  It's a wrap.

Selasa, 10 Februari 2015

All About MCNs - My Panel Tomorrow at the DEW Conference

Digital Entertainment World (DEW) starts today in LA -- and tomorrow I moderate a panel from 12:40-1:20 pm titled "MCNs: Monetizing the YouTube Economy" that features a "who's who" list of MCN CEOs as panelists.  Joining me are:

Roy Burstin -- Co-Founder & CEO of MiTu -- the leading Latino creator-focused MCN that just recently announced a $15 million round of financing;

Amanda Taylor -- Founder & CEO of DanceOn -- the leading multi-platform dance-focused company that counts Nigel Lythgoe (founder of American Idol & Dancing with the Stars) and Madonna, as well as major media company AMC Entertainment;

Allen DeBevoise -- Co-Founder & Chairman of Machinima -- the leading young male focused MCN; Allen serves on the boards of several A-list MCNs, including StyleHaul, DanceOn, MiTu, and IndMusic;

Sanjay Sharma -- President & COO of All Def Digital -- which is urban-focused, backed by Russell Simmons and closed a $5 million Series A round last year;

Reza Izad -- Co-Founder & CEO of Collective Digital Studio -- a major MCN that received a major strategic investment from European mega-media company ProSieben last year and counts billions of views per month.

Marvin Scott Jarrett -- Co-Founder & CEO of Popular -- a new young female-focused MCN that launches March 15; he previously created iconic mega-creative and visual media brands Nylon and Raygun;

Of course, I will ask the panel how both they and video creators make money.  But, I will also ask each of them started, why they chose their particular focus, how they amassed their initial critical mass of content, and what was their particular tipping point.  I will also ask them to justify the mega-price-tags fetched by other leading MCNs last year (e.g., Disney buying Maker Studios for a deal that could value the company up to nearly $1 billion) and how they see MCNs evolving in 2015 and beyond.

Should be a good one.  Tomorrow, Wednesday, 12:40 - 1:20 pm.  See you there.

Senin, 22 Desember 2014

Vessel -- The Subscription-First MCN - Opens Windows, While Netflix Closes Them

Jason Kilar’s long-awaited digital-first video service Vessel finally fully opened its sails last week -- charting a course to become the first mass scale paid subscription-first multi-channel network (MCN) -- charging users $2.99 per month.

While most others in the MCN world seek to take down and own individual market verticals (DanceOn for dance, Tastemade for food, Whistle Sports for sports, Stylehaul for fashion), Vessel has no specific focus -- it is broad-based.  And, while most other MCNs ultimately hope to build paid subscriptions into their business model, unlike Vessel, they focus first on advertising revenues and branded content.  THAT is a fundamental difference.  Interestingly, some other leading MCNs (including DanceOn and Tastemade) apparently already have committed to distribute at least some of their content exclusively on Vessel’s platform for 72 hours (a new 3 day “window”).  Why would they do this?  Several reasons: (1) Vessel will pay them and certain other coveted video creators for such exclusivity; (2) Vessel also will share 60% of relevant subscription revenues on top of that; and (3) Vessel’s subscription focus will accelerate their own paid subscription ambitions.  This is significantly different than what has been reported previously on the issue of 72-hour exclusivity.

Essentially, Vessel’s goal is to turn water into wine with a bit of compelling digital-first video content consolidation alchemy -- transforming here-to-date mostly free digital content into paid content.  In so doing, Vessel is opening a 72 hour paid window in this digital-first short form video YouTube-ian world, while Netflix and others seek to close them for long-form “traditional” motion picture content.

One window closes.  Another one opens.  Will opportunity, in the form of meaningful monetization, flow in?  Or, will there be nothing but air?  Only time will tell, but all digital-first content creators are holding their breath with anticipation for Vessel’s official launch in 2015.

Senin, 03 November 2014

StyleHaul’s $150 Million Valuation -- Good (Very!) for Other Vertically-Focused MCNs


As expected, fashion-focused MCN StyleHaul’s sale to Euro-based media conglomerate RTL Group is confirmed as of this morning.  And, consistent with my prediction a few weeks back, the deal values StyleHaul well north of $100 million -- essentially $150 million in fact.  But, reports indicate that the ultimate “haul” for investors could exceed $200 million via performance incentives.  Very stylish indeed!  (Here is my earlier analysis of why the deal makes sense for RTL).

This bodes well for other major vertically-focused MCNs -- i.e., those focused on a particular niche markets/audiences.  Those include Tastemade (foodie-focused), Mitu Networks (Latino-focused), DanceOn (a client that is dance-focused), Machinima (gamer-focused), and Whistle Sports (a client that is sports-focused and which just announced a major $7 million strategic investment from UK-based media giant BSKYB).  Why?  All target passionate groups under-served by “traditional” media outlets who are hungry for fresh content -- particularly short-form video for mobile engagement.

MCN M&A -- it’s not just about broad-based horizontal MCNs (like Maker Studios and Fullscreen) anymore.  In fact, vertically-focused MCNs cater to self-defined passionate audiences -- and that means deeper engagement and opportunities to monetize (via higher CPMs, more targeted sponsorship dollars, and direct commerce).

Senin, 15 September 2014

MCN CEO Profiles -- Your Michelin Guide to Who’s Hot

All in one place -- consolidated for your consumption -- easily digestible.  Here are my recent detailed interviews and individual profiles of leading MCNs and their CEOs (ok, in one case, President & COO).  All of these MCNs (identified in alphabetical order) are important.  And, all of these execs -- each of whom I have come to know -- are passionate about (and authentically into) their individual missions.

I am a believer in each of them ... and you may find their insights to be enlightening ....





Here’s my bonus “under the radar” pick -- which is not quite an MCN, but is in the same world --

Rabu, 27 Agustus 2014

MCNs - They Matter (Because They Represent Media’s Fundamental Digital Transformation & the Accelerating Millennial Movement)

[NOTE -- this article was published yesterday as a guest article in VideoInk.  Different title, essentially the same content.]

I write a lot about the multi-channel network (MCN) digital video world.  And, I follow it closely.  Why?  Is it because I think MCNs are the only relevant players in the new world video eco-system?

Of course not!

Rather, I follow them so closely because the rise of MCNs -- and the massive M&A and investments in those companies -- are key data points for the overall digital “movement.”  Of the fundamental transformation of Hollywood.  And, of the fundamental transformation of the overall media business.  MCNs represent the new multi-platform media world that we had anticipated for years, but finally came into its own in a mainstream way just this past year.

It is here.  It is now.  Consumers “get" that.  Especially millennials.

But do the major “traditional” media companies?  Do the big brands?  Do you?

Certainly not to a significant degree -- and that is at their and your peril (if you fall into that camp).  I recently wrote about this after attending my first VidCon.

Core to this transformation is the mobile device -- a device that is with most of us (even non-millennials) virtually 24/7.  Now high quality video is available to consumers virtually any time, anywhere.  And, we are voraciously eating it up (to the pleasure of the carriers and their data plans).  The bottom line is that different platforms are optimized for different forms of content.  And, the vast majority of video consumption on the small screen is of “bite-sized” short form video.  That means that premium content development for that small screen is fundamentally different than it is for traditional longer-form video platforms like TV.  That requires specialized expertise.  Expertise that most traditional media companies don’t have.

That’s where MCNs fit in.  They don’t supplant traditional platforms.  Rather, they EXPAND them.  They enable consumers to consume the full spectrum of entertaining, informative, and impactful video content.  The mobile platform -- that small screen -- is finally ready for prime time.  Scratch that.  It isn’t just ready -- it is here -- it is now.

What else?

Our multi-platform media world -- in which consumers demand these new forms of premium content (after all, they are “voting” by their sheer numbers) -- also demands “personalities” who can speak most effectively to the massive young audience that has shifted much of its content consumption downstream to that mobile device.  And, that personality isn’t the mainstream celebrity.  Rather, because these “bite-sized” videos ideal for mobile viewing are typically produced on very low (or, more usually, non-existent) budgets, they are grass-roots-driven (at least initially).  They began with people like you and me (well, not me, I am not in that demo).  And, some of these grass-roots videos and personalities take hold -- for some reason -- and rise to the top.  Somehow some of them rise above the din.  It is THESE YouTube personalities who are the new “celebrities” for millennials.

A recently published study confirms that reality.  YouTube celebrities are now more popular than mainstream celebrities to U.S. teens.  Think about that!  Brands -- you better.  If you want to reach this key burgeoning demographic, then you must -- RIGHT NOW! -- shift significant marketing funds to the YouTube economy.  To MCNs.  To YouTube “celebrities."  To Viners.  Play time is over.  It’s time to go “in” big.  And, with these digital platforms, you have the added benefit of being able to reach and pinpoint the precise “right” audience for your messages.  Then it is up to you to engage with them, effectively.

And, that takes “authenticity” -- a word that is foundational to this new world order.  YouTube personalities rise -- MCNs rise -- and brands effectively rise -- only with authentic voices.

Take some of the leading MCNs.

I recently profiled #1 dance-focused MCN DanceOn and its founder/CEO Amanda Taylor.  Why did she start DanceOn in the first place?  Fundamentally, because of her love of dance!  Because she already was helping professional dancers expand their opportunities because she was aware of their challenges.  She felt their pain.

I also recently profiled Larry Fitzgibbon, founder/CEO of #1 food-focused MCN Tastemade.  Why did he start Tastemade after his successful IPO of Demand Media (which he also founded)?  I’m sure he had already made some significant cash -- so it certainly wasn’t all about the dollars.  Rather, when I met with Larry, he started our conversation talking about his love of food.  Of the beauty and creativity of food and cooking as an art form.  And, of the international bridging of cultures that food makes possible.  That is authentic!  (And very very cool).

That same authenticity is pervasive by essentially all founders and CEOs in the MCN world, several of whom I have come to know well (and some of with whom I have the good fortune of closely working).  Founder/CEO John West of #1 sports-focused MCN The Whistle?  Absolutely -- love of sports -- believed that millennials deserved their own voice of sports.  Not their father’s ESPN.  Roy Burstin, founder/CEO of Mitu Networks, the #1 Latino-focused MCN.  Same story.  Roy -- from Colombia -- “felt” the dearth of compelling video content for the Latino market (which he tells me has higher mobile consumption rates than other cultures).  Stepahine Horbaczewski, founder/CEO of #1 fashion-focused MCN StyleHaul?  Again, the same.  You can feel it by the faux furs she wears around her neck at events, even in the summer!  And then there’s Allen DeBevoise, Chairman of #1 gamer-focused MCN Machinima and the godfather of the MCN world in general.  Allen is such an authentic believer in this new world order that he personally has invested in virtually all of these (and more).

THAT’s why MCNs matter.  That’s why I follow them and the entire multi-platform media/video world so closely.

And, that’s why I am excited about the massive opportunities in (and privileged to be in) the media world that is now transforming in fundamental ways right before our eyes.

Let’s be clear.  It’s not “out" with the old.  But, it is absolutely about “in” with the new ....

Senin, 25 Agustus 2014

DanceOn - EXCLUSIVE Insights from CEO Amanda Taylor of Dance’s #1 MCN

As you know, I follow the multi-platform media/MCN space very closely.  Last week, I featured an interview and studio tour of leading foodie-focused MCN Tastemade.  Today’s featured CEO is Amanda Taylor, founder & CEO of leading dance-focused MCN DanceOn (with 11 million subs, 70 million monthly video views, over 2 billion total views, and 8.3 million fans across Facebook and Twitter).  DanceOn’s all-star list of founders and investors include Madonna, Nygel Lythgoe (creator of “So You Think You Can Dance” and “American Idol”), and Allen DeBevoise (founding father/godfather of the MCN world).  Manatt Digital Media is also an investor, as am I individually.  We are believers.

Last week, Amanda and head of sales Mike Praw joined me and others from the Manatt Digital Media team for an informal brown bag lunch to hear more insights -- more about who they are, where they are, where they plan to go.  These are some of those insights from our special session:

(1) DanceOn’s Focus -

-- Amanda underscored that DanceOn focuses on “dance videos," not “music” videos; music videos feature music artists

(2) DanceOn’s Core Demo & Overall Market Opportunity -

-- 63% of viewers are female, 50% are “multicultural,” and 61% are in the coveted 13-34 age bracket
-- the market opportunity is “massive” in Amanda's words -- why?
-- dance “travels” well internationally, since there is no language barrier
-- no other single multi-platform dance-focused media company exists, and “bite-sized” dance video works well for the smart phone/tablet world

(3) DanceOn’s Business Model -
-- advertising-focused video on demand (AVOD) -- a primary component
-- sponsorships, including branded integration/content -- a primary component -- and the company has had major traction already with several of the biggest brands (examples include Coke, Unilever)
-- syndication opportunities to other platforms (including television) -- but Amanda stressed that these are only interesting where the DanceOn brand is featured and preserved
-- interestingly, unlike some other leading vertically-focused MCNs like StyleHaul and Tastemade, commerce is not a key element of DanceOn’s business model; the company is NOT a commerce play; DanceOn’s core/essence is pure entertainment
-- the company is now dipping its toes into the live event space and has its first major event at the LA Convention Center this Friday, August 29

(4) DanceOn's Pitch to Professional Dancers/Creators
-- Amanda tells me that, at most, professional dancers can earn $120K/year in the “traditional” model and with traditional platforms; but digital platforms open a new world of monetization opportunities; and, even more, now professional dancers can build their individual brands and monetize in myriad ways that go well beyond dance (which already is happening with some dancers on the DanceOn roster)
-- a key part of DanceOn’s pitch to professional dancers is to directly address their relatively short professional “shelf life” -- i.e., DanceOn helps dancers maximize opportunities now in a Carpe Diem kind-of-way
-- and, because professional dancers can build their individual brands, they can also extend those brands into different areas beyond dance as they mature 

(5) DanceOn’s Biz Terms with Talent
-- DanceOn has exclusive digital relationships with its talent roster, but Amanda tells me the company is not an agency
-- the company's talent can utilize the DanceOn platform as a springboard to showcase their talent, build their brand, and move well beyond digital (and into all other platforms, including traditional media) on their own

(6) Future Plans -- Where They Are Going
-- DanceOn's video content is almost exclusively non-scripted now; but the company already develops significant original programming, a natural extension of which ultimately is to move beyond its current focus

Definitely an MCN to watch.  And, an MCN that was founded with the same fundamental principles shared by Larry Fitzgibbon of Tastemade (as well as essentially all other major MCN CEO/Founders whom I have come to know) -- authenticity and passion.

Refreshing!

Minggu, 17 Agustus 2014

MCN 101 - A “Cheat Sheet” for Key Multi-Platform Video M&A, Strategic & VC Investments, Partnerships



The overall multi-platform video/media and multi-channel network (MCN) space continues 
to be white hot, with accelerating M&A, strategic and venture capital investments, and an ever-growing list of significant strategic partnerships.  Tough to keep up with it all, but my team and I at Manatt Digital Media follow the space very closely.  To help, here is a scorecard/“cheat sheet" of key representative (1) M&A, (2) strategic investments, (3) VC investments, and (4) strategic partnerships -- all in reverse chronological order (most recent first, so that you can get a sense of the accelerating pace, even during the purportedly slow-moving dog days of summer):


I.  MCN M&A

StyleHaul (the leading fashion-focused MCN) heavily rumored to be up for sale right now – potential buyers said to include Hearst, Conde Nast, Amazon and 21st Century Fox


Legendary Entertainment acquired Geek & Sundry (geek culture) in late July 2014 for an undisclosed sum

Otter Media widely rumored in late July 2014 to be mulling over taking a majority stake in leading MCN FullScreen for a sum reported to be between $200-$300 million (no updates since initial reports)


Relativity Media was widely rumored to have bid for leading horizontally-focused Fullscreen for an amount reported to be between $500 million to $1 billion in early May 2014 (since that time, Otter Media is rumored to be the leading contender -- as discussed above)


Disney acquired Maker Studios in the mid-March 2014 mega $500-$950 million deal that fueled and accelerated all of this year’s MCN activity

DreamWorks acquired AwesomenessTV for $100 million+ in the first major MCN deal in early May 2013

Consider all other major vertically-focused MCNs to be in “play” at this point, given all of the M&A activity (here are my predictions about likely M&A targets from a few months back).  


II.  MCN Strategic Investment

As opposed to M&A, this category represents major media companies who have taken significant equity stakes in (but not outright acquisition of) leading MCNs:


AT&T and The Chernin Group committed $500 million in April 2014 to fund the new Otter Media joint venture to acquire, invest in and launch OTT services (including leading anime-focused MCN Crunchyroll

Warner Bros invested $18 million in leading and pioneering young male and gamer-focused MCN Machinima in early March 2014 (just before Disney’s acquisition of Maker Studios)


AMC Networks invested $4 million in leading dance-focused MCN DanceOn in October 2013 (NOTE -- Manatt Digital Media is an investor in DanceOn)


III.  MCN Venture Capital Investment

As opposed to the strategic corporate investments discussed above, here are key multi-platform video/MCN-related venture capital investments:




Leading Latino-focused MiTu Networks raised $10 million from Upfront Ventures and existing investors mid-June 2014

Leading sports-focused MCN The Whistle raised $10 million ($18 million to date) from SeventySix Capital and “name brand” long-time media execs Bob DuPuy, Garry Laybourne, Bob Pittman in mid-May 2014

Tastemade earlier raised $10 million from Raine Venture Partners, Redpoint Ventures, Comcast Ventures in August 2013

Fullscreen previously raised an undisclosed 8-figure sum from The Chernin Group, Comcast Ventures, and WPP in June 2013

StyleHaul previously raised $17 million from Bertelsmann Digital Media Investments, RTL Group, RezVenPartners 


IV.  MCN Strategic Partnerships

As opposed to outright M&A or investment, MCN growth also is fueled by strategic partnerships.  Here are a representative few:


FC Barcelona will use Dailymotion’s video player on their site and Dailymotion will launch FC Barcelona channel, dedicated to soccer (announced early August 2014)

Fox Sports Digital is partnering with Sporting News Media to share and swap libraries of editorial and video content (announced late July 2014)

Conde Naste launches pioneering brand-focused The Scene with content partners including AOL, ABC News, Forbes, BuzzFeed, Vox Media (announced mid-July 2014)

The Whistle announces continuous string of mega-content co-creation, co-distribution and co-promotion deals with the NFL, MLB, NASCAR, PGA Tour, AVP Beach Volleyball, Harlem Globetrotters (ongoing throughout 2014)

Maybelline announced a deal with StyleHaul in June 2014 for branded content in its YouTube channels (with StyleHaul videos also appearing in Maybelline’s content hub and on TV)

Leading media company Lionsgate and Freddie Wong’s RocketJump Studios agree to a multi-year film, TV and digital content alliance (announced April 2014)

Mediakraft and British Pathe announce a major content deal in April 2014 to bring 85,000 videos to YouTube from their historical film archives of to YouTube – 4/14

NOTE -- these certainly are key strategic MCN/multi-platform video “moves” -- but certainly not all of them.  

And, the action is still in its early innings ...

Leading video “pub” VideoInk also published this article, under a different name.

Kamis, 05 Juni 2014

4 “MUST WATCH” Vertically-Focused MCNs - Stylehaul, MiTu, DanceOn, and TheWhistle

As my readers know, I follow the world of multi-channel networks (MCNs) very closely -- and share my views frequently (via my own blog, but also in other national and international media outlets).  This is my recent post in which I give a lay of the land of what I find to be the most interesting MCNs (all of which are logical acquisition targets in the current MCN M&A environment).

Here are 4 leading vertically-focused MCNs that I find to be particularly interesting for myriad reasons, including (i) critical mass (I order these in terms of audience size), (ii) executive teams, (iii) investors, (iv) vision, (v) market opportunity, and (vi) strategic partnerships.  I don’t discuss leading gamer-focused MCN Machinima here, because that pioneering MCN is one that you likely already know well.

(1) Stylehaul -- the leading fashion, beauty, lifestyle MCN (with 13+ billion network views to date; CEO Stephanie Horbaczewski is a powerhouse -- and the company’s monetization opportunity is somewhat unique and compelling, since the vast majority of its revenues come from branded content (rather than Youtube-based ad revenues); and, of course, fashion and beauty travel well internationally;

(2) MiTu -- the leading Latino-focused MCN (with 6+ billion network views to date); another impressive team, this one deep with major media experience; this is yet another major international opportunity for a frequently underserved market; among other things, this MCN has a compelling opportunity to “upstream” talent and programming to more traditional media outlets like television;

(3) DanceOn -- as the name says, the leading dance-focused MCN (think of it as the “MTV of Dance”, with 2+ billion views to date); CEO Amanda Taylor has that “it” factor you want in a CEO, and the blue-chip media investors (including “So You Think You Can Dance” and “American Idol” creator Nigel Lythgoe) can accelerate the company’s growth like no others could; this is another branded content play that travels well internationally with a deeply passionate audience; this type of content also has deep potential to “upstream” to more traditional media outlets; and

(4) TheWhistle -- the leading sports-focused MCN (just launched in January, but already crossing the 1 billion + view mark and just featured in Variety yesterday); strong management team includes top former YouTube talent who deeply understands the YouTube sports playbook, as well as others with deep relationships with top sports leagues and athletes; in fact, the company already has impressive partnerships with the NFL, MLB and others; sports, of course, are a massive potential international opportunity in this multi-platform world.


Rabu, 21 Mei 2014

Happy Birthday Manatt Digital Media -- Our First Year ... And The Long-Awaited Promise of “Convergence” ...

Today we celebrate the first anniversary of our launch of MDM (Manatt Digital Media).  And, what a year it’s been.  Yes, I am proud of our accomplishments in Year 1 (click here or see the full press release below).  But, even more exciting to me is the passion of those on the MDM team.  For MDM’ers, it’s not just a job.  That’s why we blog at 4 am.  That’s why we finalize pitches at 2 am.  That’s why we enthusiastically make business introductions and connections.  That’s why we host Digital Media Meetups in LA, NYC, and SF.  That’s why we invest our own cold hard cash in innovative startups like DanceOn, MovieLaLa, Ninja Metrics, Trailerpop, Adomic, StrikeAd, Vadio and eXacly.me (all of these were made in the past 12 months).

Most significantly, however, is how much the digital media landscape has changed this past year.  Think about it.  Not a week goes by without some massive billion dollar plus deal (or rumored deal) in the world of convergence -- where the promise of content meeting technology to create “magic” is finally coming of age.

Facebook/Oculus Rift.  Disney/Maker Studios.  Apple/Beats.  Google/Twitch.  Yahoo!/RayV.

Who has time to sleep?

But, that’s the point!  All of us in the midst of this maelstrom should feel energized to be in the midst of it all -- not knowing exactly where it is going, but adding our own individual ingredients to push it slightly more this way than that.

We are in the midst of transformative engagement.

That’s our Year 1.

So, it's not so much that we are celebrating ourselves (although, it’s always good to fete landmark occasions).  Rather, think of it more like we are celebrating the fast-transforming eco-system all around us.  The transformative eco-system that, yes, can be daunting at times -- but which, at the same time, is full of massive opportunity with active engagement, experimentation and good old-fashioned creativity, innovation, tenacity and hard work.

(But, for those of you who want a more “traditional” Year 1 anniversary pronouncement, here it is ....)


MANATT DIGITAL MEDIA MARKS FIRST YEAR WITH SIGNIFICANT GROWTH, ENGAGEMENTS WITH LEADING INNOVATORS, EXPANDED BUSINESS CONSULTING TEAM AND RECOGNIZED THOUGHT LEADERSHIP

·       Firm Emerges as Innovative Market and Recognized Thought Leader in Providing Diversified Professional Services and Deep Industry Connections With Growing Client Base of Innovators
·       Manatt Digital Media Demonstrates Industry Expertise and Commitment With Significant Strategic Investments And Leadership in Prominent Digital Media Events

LOS ANGELES, CA — May 21, 2014 — Manatt Digital Media, a fully-integrated professional services division within Manatt, Phelps & Philips, LLP, today announced that within its first year, it has established itself as a leader in digital media and technology through the growth of its client base, strategic expansion of its business consulting team, and by providing overall thought leadership and connections in the worlds of media, entertainment, advertising and technology.

Since May 2013, Manatt Digital Media has engaged with and invested in high-visibility digital media and technology companies, including leading multichannel network DanceOn; innovative content-driven and social media-focused companies MovieLaLa, If You Can and Vadio; market-leading ad-tech companies Ninja Metrics, Trailerpop, StrikeAd and eXacly.me; and data-driven company Adomic.

“Manatt Digital Media is servicing players who are redefining the space through innovative technology and entirely new digital media business models,” said T. Hale Boggs, chairman of Manatt Digital Media. “We are gratified that in the course of a single year, Manatt has built a strong name for itself and emerged as a formidable influential player in Los Angeles — the entertainment and digital media center of the world — as well as other key digital media and investment hubs, such as New York City, San Francisco and Palo Alto.”

“Our aim is to disrupt the traditional professional services approach to bring differentiated real-world entrepreneurial and operational digital media and technology insights to our clients through our wealth of expertise, relationships and venture capital experience,” said Peter Csathy, CEO of Manatt Digital Media. “We embrace disruptive new technologies and seek to empower our clients to be market leaders who further differentiate themselves from competitors by leveraging their innovative ideas as significant new business models and revenue streams.”

Key to its innovative approach, Manatt Digital Media has built a uniquely diversified team to provide its clients the industry’s most comprehensive and meaningful digital media professional services. As one example, the firm recently deepened its business consulting team by hiring leading consulting expert Eunice Shin, who brings more than 18 years of experience and deep relationships and connections in the media and entertainment industries. The firm’s expertise in content and intellectual property at the heart of digital media also separates it from all other consultancies, along with its unique combination of expertise in social media policy, privacy and data security.

“Today’s digital media world is interconnected and incredibly fast-paced, and it demands a bold and creative approach to professional, business consulting and legal services,” said Boggs. “With the growth of our client portfolio and the widely specialized executive team across legal, business and venture capital, we are building on the firm’s recognized legal experience to offer a full spectrum of world-class professional services, and we’ve seen that model benefit our clients of every size and every stage of development. We are not aware of any other organization that coherently ties together these capabilities in the digital media, entertainment or tech worlds.”

In addition to its growing team and clientele, Manatt Digital Media is widely recognized by top-tier media for its thought leadership and industry expertise. The company has hosted a number of high-level industry meet-ups and participated in several key industry events in the past year:

·       Manatt Digital Media Meet-Up — As part of Manatt Digital Media’s focus on supporting innovative entrepreneurs in digital media companies big and small, elevating new ideas, and creating a network of beneficial relationships in the digital media industry, the company hosted a number of exclusive Digital Media Meet-ups in Los Angeles, New York, and San Francisco. The events brought together a select mix of entrepreneurs, media company executives, artists, financiers, and key industry press and thought leaders.

·       UCLA Entertainment Symposium — Csathy participated as a moderator at the March 2014 UCLA Entertainment Symposium on its multichannel networks panel in the days preceding the recent acceleration of M&A activity in that space. The panel, titled “Multi-Channel Networks & Other New Premium Video Players — Their Impact on (& Opportunity for) Hollywood,” featured high-level executives of major players in the field, including Machinima, ICM Partners, Fox Networks and YouTube.

·       Siemer Summit— In October 2013, Manatt Digital Media sponsored the Siemer Summit, an invitation-only event that drew more than 500 of the most influential leaders in digital media and emerging technologies from around the world. Manatt Digital Media also provided joint funding to the winning startup of the Siemer WaveMaker Award’s Best in Show, which awarded the startup with the most innovative platform that was most poised for growth. The company will return as a leading sponsor in 2014.

·       Digital Entertainment World Expo — Manatt Digital Media sponsored Digital Entertainment World Expo in February 2014. The company served as the main sponsor of the 2014 DEW Startup Competition. Of the total prize, the winner received a $25,000 investment from Manatt Digital Media in the form of a convertible note, as well $25,000 of professional and business services from Manatt, Phelps & Phillips, LLP.

“Our active involvement in the digital media space keeps us attuned to the leading ideas and technologies that drive the industry forward,” Csathy added. “As we continuously deepen our relationships among key digital media players and develop, sponsor and participate in major events — not just at the heart of content creation in Los Angeles, but around the world — we are ensuring that our clients are the first to know about critical trends and disruptive, innovative technologies and how they can positively impact their business.”

About Manatt Digital Media
Manatt Digital Media is a full-service digital media platform created by entrepreneurs for entrepreneurs, whatever the size or stage of the company, from startup to growth-stage to mature public companies. Manatt Digital Media uniquely offers a one-stop shop of professional services that is grounded in the legal and business experience of Manatt, Phelps & Phillips, LLP, one of the world’s most respected law firms in the media, entertainment and advertising industries. Manatt Digital Media offers its clients differentiated value and impact in multiple forms and across the life span of their companies — from venture capital to strategic relationship building and artist access to business consulting and creative deal-making, including content licensing, distribution and M&A. For more information, visit www.manattdigitalmedia.com.

About Manatt, Phelps & Phillips, LLP
Manatt, Phelps & Phillips, LLP, is one of the nation's leading law and consulting firms, with offices strategically located in California (Los Angeles, Orange County, Palo Alto, San Francisco and Sacramento), New York (New York City and Albany) and Washington, D.C. The firm represents a sophisticated client base — including Fortune 500, middle-market and emerging companies — across a range of practice areas and industry sectors. For more information, visit www.manatt.com.