Tampilkan postingan dengan label Huffington Post. Tampilkan semua postingan
Tampilkan postingan dengan label Huffington Post. Tampilkan semua postingan

Senin, 30 Desember 2013

My 2013 Guest Posts in TechCrunch, Huffington Post, Wired, Venturebeat -- Curated for the Holidays


In 2013, I wrote several guest articles for TechCrunchThe Huffington PostWired and Venturebeat  -- here they are -- consolidated for your holiday reading:  

“A New Golden Age of Content” -- The Huffington Post.

Check them out -- and, if you read anything you like, spread the word!  And, thanks for reading in 2013.  I hope to shed at least a few digital media/tech insights in 2014 -- beginning on January 6 at CES where I will be moderating one panel, and participating on another.  Reach out to me via LinkedIn if you would like to meet.

Cheers and Happy New Year!

Sabtu, 28 Desember 2013

2014 - A New Golden Age of Content - My Latest Article in Huffington Post

I frequently write for other publications like Huffington Post, TechCrunch, Wired and Venturebeat.  Here is my latest just-published article in Huffington Post, titled “A New Golden Age of Content.”  I am posting it here in its entirety:


Amidst the maelstrom of technology shattering decades-old media-centric business models – a reality that continues to frighten many in its wake – often lost is the fact that we are now in the midst of a new golden age of content. Yes, it’s true. There has been too much doom and gloom, and not enough of the content creators’ boom.  We will look back at this era decades from now as being a period of creative boom, not bust. Here’s why. 

Mobile. We now have more than 7 billion mobile devices worldwide – more mobile devices than people on this planet. Just think about that. That absolutely is a revolution. And thanks to this mobile revolution, content creators now have the opportunity for the first timeto reach virtually any of us anywhere we are at any time. And they are. Hulu just announced that over 50 percent of its subscribers now watch their videos on tablets or mobile phones.

But reaching us does not mean that content creators must find us directly. If they do their jobs right – which means telling compelling stories – we consumers will do the work for them. We will find their content ourselves. In fact, we will do even more than that. With 58 percent of online videos consumed on social networking sites, we enthusiastically (frequently feverishly!) will go further. If we like what we have consumed, we will pass it on to our families, friends and co-workers – and we will urge them to consume it themselves.

Just take a look at Will Ferrell. He – in the guise of Ron Burgundy of Anchorman fame – is literally everywhere now. We have put Mr. Burgundy everywhere. We retweet his videos. We post them. We have become individual broadcasters and marketeers, amplifying the voices of creators whose stories we deem worthy to be seen and heard (even those, like Mr. Burgundy’s, that are blatant promotions!).  Think about that. That is quite incredible.

Not only has the media distribution game been disrupted by the new technologies, the form of that content itself has been disrupted. Gone are the days of creativity being locked into serial 22-minute segments dictated by traditional broadcast time slots and ad spends. Digital media (online and mobile) has shattered those constraints, unleashing a torrent of unprecedented creativity. Content creators have more ways than ever before to express themselves. Those ways truly are unlimited, because mass story-telling has been democratized. All of us can have a public voice – and most of us now do. We can tell the stories we want to tell. Some may be “traditional” in form, but others most certainly are not. Have you seen YouTube lately? Have you seen your kids’ school homework projects lately? At our school’s recent parent-teacher conferences, I was amazed by my son’s sophisticated iPad-driven multi-media presentation about “The Big Bang.”  That is creativity. That is power.

And, here’s the deal. An audience exists for allof it – both the traditional and the new/disruptive. These forms don’t compete with one another, precisely because our mobile “phones” are with us 24/7, giving us more (not less) of an opportunity to consume. And, consume we do – voraciously. All of us like to experience a good story – and we enthusiastically embrace new ways of telling them – anytime, anywhere. 

We now live in a world where we have myriad choices of content available when we want it – so long as content creators create compelling content and give us those choices.  This is what Kevin Spacey so eloquently discussed in his recent speech that reached many of us via the same digital media technology that launched this new golden age. Binge viewing Netflix-style works. Why? Precisely because someconsumers (but not all) want it that way. Netflix simply offered a new type of content package. A new mode of consumption. It’s not binge viewing vs. “traditional” viewing. It’s not either/or. It’s simply different. Different experiences.  Some don't need the water cooler conversation. Some crave it. We can self-select what we want.  We want that power and control. Just make it compelling.

Due to its unprecedented reach and endless “packaging” possibilities, that content also can impact us like never before – not only to buy things (although that too is true, look again at Mr. Burgundy), but also to inspire us. To motivate us. To mobilize us (just look at digital media-driven global political upheavals of the past two years). To fund even more new stories to tell.

Don’t fear this disruption. Embrace it. We are in a new golden age.  

Selasa, 17 Desember 2013

For Family Videos, Less Is, Well Less: Welcome to the Age of Video Snippets


A few months back, I wrote a piece for Huffington Post that is apt for this holiday time of year where precious memories are made -- and worthy of being captured.  I believe it is apt to republish -- and underscore the main point -- which is, “LET THE CAMERA RUN!  Use a Camcorder -- NOT your mobile phone -- to capture your family moments!”  Here it is -- as summarized in my own blog (as well as the link to the HuffPo article).

My most recent Huffington Post guest article was posted yesterday -- titled "For Family Videos, Less Is, Well Less: Welcome to the Age of Video Snippets."  In it, I discuss the "experiential" differences between camcorder shot videos (slices of life) of yesteryear compared with today's smart phone captured videos (snippets of life).  And, I argue that -- for your personal family video memories -- you want the longer-form slices, not ADD-style snippets.

What led me to this realization?  Transferring 70 of my MiniDV tapes online -- tapes that had been languishing in a plastic bin in my garage for the past umpteen years.  A company called YesVideo -- that promises to "Bring your home movies to life" -- made that all possible.  I packed them all up.  Shipped them out.  And, 30 days later, voila!  They are now online for viewing.

Magical viewing.  Viewing of our memories.  Viewing of our slices of life.

Do you want to view your precious family memories?  YES you can!  It is a service that I recommend ... highly.  And, do it before those near-forgotten videos (MiniDVs, VHS, 8 mm, Super 8) degrade.  Priceless.

The one risk to be aware of when using any kind of cloud-based service (like YesVideo) is the possibility that the service ultimately goes out of business.  If that were to happen, what happens to all of those precious memories?  The company is not an 800 pound gorilla (yet) after all.  And, this risk isn't theoretical.  Remember the famous Flip cam and its companion cloud-based storage and streaming service?  It was massive at one point -- and then shuttered -- AFTER 800 pound gorilla Cisco had acquired it!  Flip users -- who had uploaded all of their Flip videos -- were essentially told by Cisco to fend for themselves.

So, to protect yourself from this possibility, I recommend that you order physical DVDs from YesVideo, in addition to transferring those videos online.  Then you have the back-up you need -- and the peace of mind you want.

Kamis, 24 Oktober 2013

My Latest HuffPo(st) -- "Netflix - 5 Reasons Cable Companies Should Just Say ‘Yes’!"

Yesterday, The Huffington Post published my latest guest post, titled “Netflix - 5 Reasons Cable Companies Should Just Say ‘Yes’!"

In it, I lay out the case for cable and satellite companies not only to bundle Netflix as part of their overall programming packages (as a defensive measure), but also to use Netflix to their advantage (as an offensive measure).

Selasa, 16 Juli 2013

My New HuffPo(st) -- For Family Videos, YES Is More

My most recent Huffington Post guest article was posted yesterday -- titled "For Family Videos, Less Is, Well Less: Welcome to the Age of Video Snippets."  In it, I discuss the "experiential" differences between camcorder shot videos (slices of life) of yesteryear compared with today's smart phone captured videos (snippets of life).  And, I argue that -- for your personal family video memories -- you want the longer-form slices, not ADD-style snippets.

What led me to this realization?  Transferring 70 of my MiniDV tapes online -- tapes that had been languishing in a plastic bin in my garage for the past umpteen years.  A company called YesVideo -- that promises to "Bring your home movies to life" -- made that all possible.  I packed them all up.  Shipped them out.  And, 30 days later, voila!  They are now online for viewing.

Magical viewing.  Viewing of our memories.  Viewing of our slices of life.

Do you want to view your precious family memories?  YES you can!  It is a service that I recommend ... highly.  And, do it before those near-forgotten videos (MiniDVs, VHS, 8 mm, Super 8) degrade.  Priceless.

The one risk to be aware of when using any kind of cloud-based service (like YesVideo) is the possibility that the service ultimately goes out of business.  If that were to happen, what happens to all of those precious memories?  The company is not an 800 pound gorilla (yet) after all.  And, this risk isn't theoretical.  Remember the famous Flip cam and its companion cloud-based storage and streaming service?  It was massive at one point -- and then shuttered -- AFTER 800 pound gorilla Cisco had acquired it!  Flip users -- who had uploaded all of their Flip videos -- were essentially told by Cisco to fend for themselves.

So, to protect yourself from this possibility, I recommend that you order physical DVDs from YesVideo, in addition to transferring those videos online.  Then you have the back-up you need -- and the peace of mind you want.

Kamis, 14 Maret 2013

Pandora & Spotify -- 1 More Goliath Coming Your Way -- How Can You Win?

Last week I wrote about goliaths Google and Apple widely reported to be soon starting their own music subscription/streaming services to compete directly with Pandora, Spotify and the host of other "Davids."

Well, that ain't all.  Yesterday, just after Pandora and Spotify had wiped off the sweat from their collective brows and recovered from that news, it was reported that Twitter too likes music -- and plans to enter the fray, Tweet-style.

How can much smaller players like Pandora and Spotify "win" against this coming onslaught?

First, they must offer a significantly better and differentiated customer experience.  Their service simply must be the best.

Second, they must use every effort to optimize their economics as compared with the goliaths.  Most significantly, they must reduce overall COGS -- and that means, primarily, to minimize overall music licensing costs.  Here, the fact that these players are "smaller" should help them.  No music/content company wants to see Apple, Google or Twitter corner the subscription market a la Apple via iTune downloads.

Third, each must think outside of the (Pandora) box to offer a differentiated "experience" and differentiated customer engagement.  One example here is to bring their customer engagement into the physical/offline world -- "Outbox" music festivals for Pandora is just one such possibility (I wrote about this in my recent Huffington Post article titled "8 Ways to Maximize Live Sports & Music Revenues").

Sounds easy?  It ain't.  But, urgency creates opportunity ....

Kamis, 21 Februari 2013

My Latest HuffPost -- 8 Ways to Maximize Live Sports & Music Revenues

Just published again in The Huffington Post -- about a topic near and dear to me -- live music and sports.  Here it is -- "8 Ways to Maximize Live Sports & Music Revenues."

I attend a lot of live events.  I know what matters to me as a fan.  And, I am fortunate to have been both the offline/physical/live event and online/virtual worlds in my career -- and, perhaps accordingly, have a unique perspective.

Enjoy -- let me know what you think -- spread the word.

And, check out the non-profit I reference in the article -- The Giving Tree Movement (which is a non-profit started by my wife, Luisa).

Senin, 21 Januari 2013

My TechCrunch & HuffPo Guest Posts -- Curated


Obviously, I like to write.  I have written 1,171 posts for this blog, to be precise.  

I also like to write for TechCrunch, The Huffington Post and others.  Just yesterday, TechCrunch pushed live my latest guest post -- "Instagram for Video -- Music, Meaning and Moments Succeed Where Others Fail." Check it out -- I identify specific companies that I believe have an opportunity to make it big.

This was a companion piece to my earlier TechCrunch piece from a few months back titled "Instagram for Video -- Massive Opportunity, Yes!  Done Right, No!"

A few months before that, TechCrunch posted my piece titled "Online Video vs. Music -- Different Game, Same Rules".

And, before that, TechCrunch posted my guest post titled "Apple Schooled Music Execs Then, Here Are the Lessons Online Video Should Learn Now".

Separately, a few months back, The Huffington Post featured my guest post titled "Indie Filmmakers and The Digital Dilemma." 

Check them out -- and, if you read anything you like, spread the word!  And, thanks for reading.  Let me know what you think.

Selasa, 04 Desember 2012

The Slow Death of Books, Films & Music (& Potential Catastrophic Impact on Generational Information Exchange)

Over the weekend, TechCrunch's Ryan Lawler wrote an important piece titled "The Death of Paper."   In it, Lawler discusses society's accelerating focus and dependence on digitized information and how it is fast replacing society's reliance upon "physical, semi-permanent medi[a]" -- which has been at the core of humankind's information exchange since the beginnings of time.  Lawler focuses most on the replacement of paper (e.g., books, etc.) via digitization.   But, he also identifies the same for film and music.

At the end of his piece, he asks the critical question:  "In 20 years, if there are no physical books, what will future cultures know about us in 220 years, when digital memories are likely wiped away?"


Lawler identifies the right question here, but he does not elaborate on this potentially cataclysmic ramifications of this issue -- which are real, very real.


How can that be, you ask?  Digitized information is even more secure and lasting than physical media, you say.


But, that is not the case at all -- and society holds a fundamental misconception of this fundamental problem that has potentially massive adverse consequences to information exchange from our generations to future generations.  I know this sounds like "the boy who cried wolf," but it really isn't.


I recently identified the same "digital dilemma" in a guest post for The Huffington Post, titled "Indie Filmmakers and the Digital Dilemma."  In my piece, I focus on the potential for whole generations of motion pictures -- some of our greatest art -- to be wiped out simply by the inexorable march of time.  The Academy of Motion Picture Arts & Sciences defined the problem and unappreciated reality in the following way:


"Compared to traditional filmmaking using motion picture film stock, digital technologies make it easier to create motion pictures, but the resulting digital data is much harder to preserve."


Here's why.  As I identified in my piece, which applies equally to all forms of digital data), digital data is subject to invisible failure mechanisms at many levels, including: 


(1) the actual recording media, 


(2) the data reading and writing system in the digital storage device, 


(3) the data interface that connects the storage device to a computer, 


(4) the computer network that connects individual machines, and 


(5) the many levels of software that control the overall system. 


For all these reasons, long-term preservation of digital data requires both costly professionally managed digital storage systems and processes, and perpetual operational support (which includes continuous migration to newer storage technologies).  


But, how much of that is really being done?


In the case of independent film, the Utah Film & Media Arts Coalition -- which is based in Salt Lake City (the home of independent film's Sundance Film Festival) -- hopes to build a massive digital film archive to preserve that fundamental art-form for future generations.  However, it needs significant private financial support to make this a reality -- and we are not there yet (I am a member of this Coalition which is now in the RFP process).


How about all other media?  Society's books?  Movies?  Music?  Your books?  Your movies?  Your music?


Right now, much of this digitized data is in the grips of a slow death march.  I can hear the funeral dirge as we speak.  


But, that music is slowly ... ever so slowly ... almost unnoticeably -- fading away ....